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Beautiful lie Drawing

James Zeta

Spain

Drawing, Graphite on Paper

Size: 29.7 W x 42 H x 0.1 D cm

Ships in a Tube

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

“He keeps a very distinctive style based on the use of light, shadow and dismemberment of the picture”

Year Created:

2018

Subject:
Mediums:

Drawing, Graphite on Paper

Rarity:

One-of-a-kind Artwork

Size:

29.7 W x 42 H x 0.1 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

My name is Jaime Jurado Pomares, better known in the world of illustration and contemporary art under the nickname James Zeta. I spent more than twenty years dedicating myself to the illustration, design and realization of exhibitions both outside and inside Spain. Part of the premise of showing the emotional face of the image and the effort required to convey the personality in a manner as specific as the shadows, surge this technique. The stain as the main element is responsible for showing the most personal and significant features of what is intended to capture. The use of ink translates into an exact moment and a specific emotion of a characteristic place, stories and fictions of the stranger's life, therefore, the regular constancy of that reality. It could be said that there are a lot of ways to carry out a type of exercise with other techniques or methods, including digital treatment. However, the process of realization by hand is much more complex, and involves a real confrontation with the image, as well as the filter, otherwise it will not completely control each stroke, each spot and each blank space. It is not about the result. The image is only complete when going through that exact process. The moment in which the phase reaches its maximum expression, the moment in which the image has figuration but is not yet completely finished. Exact moment that I refer to as "dismembered image" or "burned" image. In this way it is understood that the image never ends because it is not necessary, taking into account the concept we have of "finishing". I usually work on the basis of reality or part of a photographic element. The reality, the strength, the energy and the feeling that transmit that can only come to life before the eyes of the one who looks.

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