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BECKHAM Drawing

Alun Rhys Jones

Australia

Drawing, Charcoal on Paper

Size: 39 W x 48 H x 1 D in

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About The Artwork

Masculinity has had a makeover, visually, aesthetically and psychologically, from Bondi bros to hipster bromances, the Aussie bloke has been transformed into a self aware, groomed, buffed, image conscious, product-consuming, marketing dream. We live in an age of image proliferation. Visual media constantly bombards us across multiple platforms, from print and television to computers and mobile phones. Young, handsome, athletic models and celebrity endorsements of products and services abound. Masculinity has been transformed into a well-dressed, moisturised, fragranced, fit, fashionable, consumable brand. Mark Simpson has described the progression of this new masculinity, from the product prone “metrosexual to the gym toned, sporty “spornosexual” of today. According to Simpson, spornosexual men boast “painstakingly pumped and chiseled bodies, muscle-enhancing tattoos, piercings, adorable beards and plunging necklines…their own bodies have become the ultimate accessories”. The male body has become a commodified, marketing tool. The male fashion and grooming industry has now outstripped the female in terms of revenue and profit. This burgeoning market is attracting major attention from the world of big business attracted to the high disposable income and aspirational nature of the image conscious, consumer driven, media savvy, new man. Media portrays the ideal image of men to be muscular and by implication strong, tough and stoic. However the pressure to obtain and maintain the body beautiful portrayed by these images has led to an increase in body dissatisfaction for men and young adults. Almost 18 percent of men are very concerned about their own physique and feel pressured to gain weight and become more toned. They were significantly more likely to become depressed and take part in behaviors like alcohol, steroid and drug use. Suicide is now the leading cause of death for Australian men aged 15-44 and male suicide rates are three times that of women. It appears the pressure to look, act, and harden up may be making some men crack. The “Dysmorphia Playground” series comprises photorealistic charcoal drawings of crumpled paper and plastic bags for major fashion brands with a male audience. The brands commonly use young, male models both in store, in print and on packaging to promote their marketing brand. However in the drawings the disposable bags are crumpled and distorted, the image printed on their surface twisted and transformed reflecting the aspirational and often unobtainable nature of the body beautiful promoted by the advertising industry.

Details & Dimensions

Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:39 W x 48 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Alun Rhys Jones is an Australian-based artist, whose practice focuses on themes related to identity, commodity, media, and popular culture. Recent work has investigated the use of the body, gender, celebrity, form, language and colour in a post internet, late capitalist, consumer society. His work questions the human condition and its relationship to visual media in the extreme present, allowing us to analyse the processes by which we see and are seen and to question our sense of reality within a mass media world. Alun Rhys Jones is an Australian-based artist who graduated with Honours from the National Art School in 2011. His work has been exhibited extensively throughout Australia and internationally. Since graduating he has participated in nine solo exhibitions and more than 30 group shows. Notable exhibitions include Dysmorphia Playground at Kensington Contemporary, Sydney: #Celebrity at Gallerysmith Project Space, Melbourne; The Colour Code at Carton Project Space, Sydney; The Last Days of Dionysus The Last Days of Dionysus (Part 1) at Brenda May Annex, Sydney; The Last Days of Dionysus (Part 2) at Lethbridge Gallery, Brisbane; Untitled ® at MOP Gallery, Sydney; Colour Union™ at Iain Dawson Gallery, Sydney; Solo Show at Edwina Corlette Gallery, Brisbane; POP LIVING at Schwartz Gallery, London and Allsorts, Gould Galleries, Melbourne. Alun Rhys Jones has been shortlisted for over 40 Awards and Prizes including the Doug Moran National Art Prize, the Churchie National Emerging Art Prize, the Rick Amor Drawing Prize, the Emporio Armani Commission, the Hazelhurst Art on Paper Award and the Jacaranda Acquisitive Drawing. He has been Highly Commended in the Chippendale New World Art Prize, Clayton Utz Art Award, Waverley Art Prize and the John Olsen Prize for Figure Drawing and was the winner of the North Sydney Art Prize Painting Award in 2012. Alun Rhys Jones has participated in the Takt Kunstprojektraum Artist Residency in Berlin and received both the NAVA Australia Artist’s Grant and William Fletcher Foundation Grant.

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