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EACH LINE ONE BREATH N° P 26 Drawing

John Franzen

Netherlands

Drawing, Ballpoint Pen on Paper

Size: 29.9 W x 39.4 H x 0.8 D in

Ships in a Crate

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Originally listed for $4,170

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ABOUT THE ARTWORK

“When I draw, my mind is clear, I feel my consciousness, my thoughts, my body and the world in and around me. In this state of mind, I aim to reduce the motif and technique to the most basic form of drawing. By mirroring my mindset with the paper in front of me, I aim to achieve an all-encompassing state of being. I, as the artist, become the mere moment, a moment of simple presence. I draw and focus on the void, on the negative space around the line. The space which is not the line, but which sustains it and enables it to take on the form of a line, ultimately comes to represent the line in its truest form. With each breath the seeming emptiness is filled more and more with the presence of the line, and of ‘being’ itself.” Video Making of: https://www.youtube.com/watch?v=1__WhFKNBL8&list=PLiwEoA7C5BmLjpwwV0w9X3_xvUoNZy2A5 EACH LINE ONE BREATH is a limited edition of 50 free-hand drawings. The first drawings from 2012 - 2014 were made on paper and Dibond. The new limited edition are drawn by hand with an engraving needle on black varnished 2mm brass and copper plates. Starting with a single straight line, each subsequent line seeks to imitate its predecessor. The pattern that evolves is unique to each piece just as each breath, and therefore each line, will vary slightly. Depending on the artist’s constitution, each work obtains an individual motion, which distinguishes it from the others. Concentration and the repetitive act of inhaling and exhal- ing between each line allows the whole to evolve naturally into logarithmic- like patterns and layers. The choice of a line as the starting point for these works lies in their role as an omnipresent element in all aspects of life. Lines carry waves of sound and light. They mark the lunar gravity on bodies of water in the form of waves, and that of the wind on dunes of sand. Lines imprint the trunks of trees and record elemental growth and fluctuation; rain falls and grass moves in the wind in these familiar patterns. The irreversibility of time leads us to even think in linear terms. The resulting artworks are reminiscent of these varying types of lines that are constantly transporting energy across space and time. The minimalist pattern of sequential, but subtly variable lines also provides an allegory for continuity, repetition, and immortality. The Line, as the initiation of each drawing, demands the most fundamental act of life: the breath. Through conscious in- and exhalation, the drawing is gradually created. The English word ‘inspiration’ comes from the Old French inspiration - ‘the drawing in of breath’ - and the Latin verb spirare which means ‘to live, to breathe’. Thus our every inhalation triggers inspiration, which is in itself life. The inexhaustible variety of patterns which can be derived from a simple ini- tial line reflects the diversity of manifested energy in the material world. The fascination in this work is the realisation, that changes in the breath directly influence the materialisation of the line and thereby the whole image. The line carries the energy of the breath, makes it visible and binds it into matter.

DETAILS AND DIMENSIONS
Drawing:

Ballpoint Pen on Paper

Original:

One-of-a-kind Artwork

Size:

29.9 W x 39.4 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

BIO: John Franzen (1981) was born in Aachen, Germany. Both parents were nurses. With 7 years he grew up in Belgium. Later he attended the Academy of Fine Arts in Maastricht, Netherlands 2002-2007, where he graduated with a Bachelor of Fine Arts. Working in various disciplines and materials, he focuses on the theme and production of complex frames of concepts with the focus of the inherent primordiality. He lives and works in Maastricht, Netherlands and as an artist and conceptor. ARTIST STATEMENT: An artist in his true nature is made of incomprehensible multitudes; he is the untidy culmination of a shaman who is not believing but praying, a scientist who is not searching but analyzing, an engineer who is not building but inventing, and a child who is not playing but dreaming. He exists in the paradoxical state of attempting to capture his own vast inner perceptions of reality in the confines of the outer world. His artwork is mystic ritual, scientific model and applied philosophy. His process may be compared to how priests or shamans work while praying. His art springs forth in a way similar to the emergence of holy offerings, that is, from a deep internalization of and total commitment to the unknowable source of everything. Despite this comparison, Franzen’s work remains immanently non-religious. While his process and product may be relatable to religious performance, his muse is rather the concept of the ‘Human-Universe-Executer.’ The ‘Human-Universe-Executer’ can create ad infinitum from the pure energy which he attempts to command. One act, one stroke, one move represent, in essence, all creation. Each further act is merely a repetition of the first and considered redundant. The artist must wrestle with how to accurately convey the fact that the urge to create is, rather than being inconsistent with nihilism, is intimately allied with it. Shi Tao formulated the principle of one holistic brushstroke as a medium for the articulation of a non-dualistic cosmos. According to this principle, the ‘Human-Universe-Executer’ and the observer achieve a kind of transcendence through the creational act. The one act is thus the most central concept upon which the work relies. In turn, his work reflects the void as source and muse of life itself. Franzen’s art can be seen as a spiritual mindset or mystical conception which has been adapted from Japanese Taoist and Zen philosophy.

Artist Recognition
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