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Drawing, Ballpoint Pen on Paper
Size: 11.7 W x 16.5 H x 0 D in
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Drawing on NATUREL paper Claire Fontaine Multi Technique 250g/m² - A3 - 42 H x 29,7 W x 0,1 D cm / 16,54 H x 11,69 W x 0 D in * Ships not framed 'Focused Organic World 4' is part of a new series of drawings with centered organic patterns inspired of Nature. My imagination guides my designs on flourishing patterns. I am gradually establishing a personal botanical vocabulary, as if to open consciousness to still virgin and unsuspected worlds, thus talking about the infinite wealth of Nature and organic life on Earth. These forms centered on the support accentuate the idea that to discover the secrets of nature, our gaze must remain curious and compassionate, focused on the essential: Life. * 'Focused Organic World 4' fait partie d'une nouvelle série de dessins avec des motifs organiques centrés inspirés de la nature. Mon imagination guide mes dessins sur des motifs florissants. J'établis progressivement un vocabulaire botanique personnel comme pour ouvrir les consciences sur des mondes encore vierges et insoupçonnés pour ainsi parler de la richesse infinies de la Nature et de la vie organique sur Terre. Ces formes centrées sur le support accentuent l'idée que pour découvrir les secrets de la nature, notre regard doit rester curieux et compatissant, concentré sur l'essentiel : la Vie.
Drawing:Ballpoint Pen on Paper
Size:11.7 W x 16.5 H x 0 D in
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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