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"Fragmented Landscapes in Colour 5" Drawing

Otto Oscar Hernandez Ruiz

Germany

Drawing, Ink on Paper

Size: 10.6 W x 13.8 H x 0.1 D in

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ABOUT THE ARTWORK
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Fragmented Landscapes is a collection of drawings which have arisen while travelling by train or through urban spaces in Eastern Germany between Berlin, Weimar, Leipzig and Dresden. The reflection of different perceptual conditions is reflected in his work and in turn is amplified in the theme of ...

Year Created:

2016

Subject:
Styles:
Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

10.6 W x 13.8 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Otto was born and raised in Havana (CUB). After receiving his diploma in 1999 in Architecture at the University of Havana, he worked in his learned profession until 2002 when he moved to Germany. From 2004 Otto studied fine arts with Prof. Liz Bachhuber at the Bauhaus University Weimar. Otto works within three art mediums: painting, drawing and performance and through this explores the construction and deconstruction of one’s own perception of an environment. His works repeatedly deal with the design of landscape. The large, polychrome images are evocations of different moods through textures and colours and incorporate complex spatial structure and refer to the contemporary current term of landscape painting. Hernández Ruiz’ sketches arise in traversing urban spaces. In rapid ductal he records impressions from train windows or the physiognomy of a square. Volatility, mobility and speed are the terms of his drawings. The “Settings” allow new aesthetic additions and new ways to experience, see and express landscapes. The fragmentary or flaneur-like perception is gaining in contour. In his site-specific performances he articulates on an audio-visual level – always interacting with the audience, music and location. The concepts associated with Latin American accentuates the biographical fusion of two cultures – Cuba and Germany – and combines art with architecture. The diversity of his oeuvre unfolds in the process-like aesthetics, a unit made up of fragments.

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