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A dark expansive black color field. Abstract expression of emotion and energy, ink plots piled on top of ink plots, churning with movement. Random repetition and distribution. Lines piling on top of each other becoming value shifts and texture. The motion of the pen becomes less about any definite path and more about the disappearance of paper. The darkness takes over. 

"Heart of Darkness", 22 x16 inches, black pigment ink on paper. 

These drawings are created using my custom-made drawing apparatus. My process and tools combine to create individual traits in each drawing. Damp ink under moving drawing wheels creates a haze of ink and smudging on the page. Pinholes are in the paper, as pins hold the outer drawing wheel stationary.
A dark expansive black color field. Abstract expression of emotion and energy, ink plots piled on top of ink plots, churning with movement. Random repetition and distribution. Lines piling on top of each other becoming value shifts and texture. The motion of the pen becomes less about any definite path and more about the disappearance of paper. The darkness takes over. 

"Heart of Darkness", 22 x16 inches, black pigment ink on paper. 

These drawings are created using my custom-made drawing apparatus. My process and tools combine to create individual traits in each drawing. Damp ink under moving drawing wheels creates a haze of ink and smudging on the page. Pinholes are in the paper, as pins hold the outer drawing wheel stationary.
A dark expansive black color field. Abstract expression of emotion and energy, ink plots piled on top of ink plots, churning with movement. Random repetition and distribution. Lines piling on top of each other becoming value shifts and texture. The motion of the pen becomes less about any definite path and more about the disappearance of paper. The darkness takes over. 

"Heart of Darkness", 22 x16 inches, black pigment ink on paper. 

These drawings are created using my custom-made drawing apparatus. My process and tools combine to create individual traits in each drawing. Damp ink under moving drawing wheels creates a haze of ink and smudging on the page. Pinholes are in the paper, as pins hold the outer drawing wheel stationary.
A dark expansive black color field. Abstract expression of emotion and energy, ink plots piled on top of ink plots, churning with movement. Random repetition and distribution. Lines piling on top of each other becoming value shifts and texture. The motion of the pen becomes less about any definite path and more about the disappearance of paper. The darkness takes over. 

"Heart of Darkness", 22 x16 inches, black pigment ink on paper. 

These drawings are created using my custom-made drawing apparatus. My process and tools combine to create individual traits in each drawing. Damp ink under moving drawing wheels creates a haze of ink and smudging on the page. Pinholes are in the paper, as pins hold the outer drawing wheel stationary.

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Heart of Darkness Drawing

Mary Wagner

United States

Drawing, Ink on Paper

Size: 16 W x 22 H x 0.1 D in

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$1,930

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883 Views

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A dark expansive black color field. Abstract expression of emotion and energy, ink plots piled on top of ink plots, churning with movement. Random repetition and distribution. Lines piling on top of each other becoming value shifts and texture. The motion of the pen becomes less about any definite p...

Year Created:

2013

Subject:
Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

16 W x 22 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Going round-and-round is the central principle and action of Mary Wagner’s drawing practice. At the core, these drawings are simple, curvilinear paths arching about some absent center like an interstellar object flirting about a gravity well. The rigorous lines warm and complicate through repetition. Patterns pile on top of each other. The slim edge takes on form and depth, like cotton candy wisps or subatomic particles, cohering into something a bit more solid. Value and texture suggest dimension and movement. These things coax and combine into a sort of non-subject; or a subjective subject matter, inviting the viewer to project themselves. They are exercises in minimal purity, or expressions of chaos and order. They are complicated networks or psychedelic dreamscapes. Wagner was born and raised in rural Wisconsin. She lives and draws in Chicago. Her artwork is in private collections around the world.

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