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Drawing, Pen and Ink on Paper
Size: 13 W x 15.4 H x 0.1 D in
Ships in a Crate
1924 Views
6
Artist featured in a collection
42x29cm Ink On Paper The image in this colour original is created using only the Diwani Jali Arabic Calligraphy script from the poem ‘Lizard’s First Law of Inertia’ by Scottish Poet, Emily Ballou. The poem is written exactly once from head to tail in the body of the lizard. While the part in the lizard’s front claw reads ‘Lizard’s first Law of Intertia’, the text in the circle (and just above it) reads: ‘(Passage from) The World According to Lizard’. The poem was translated into Arabic by Mazen Maarouf and Lauren Pyott. The original English, and Arabic translation can be seen at the bottom of this description. This design, originally in black and white, was commission by Reel Festivals to accompany their poetry publication featuring contemporary poets from Lebanon, Syria, and Scotland, and was featured on the cover of Anon 8 poetry Magazine. Lizardʼs First Law of Inertia Lizard saw that rocks wanted to be at rest on the Earth and that smoke wanted to be at rest in the sky and the stars wanted to remain where they had been flung. He thought that a body was in its natural state when it was still, and for his body to move in a straight line at a constant speed no force but his own was needed to maintain the velocity. Though wind helped occasionally with acceleration. And the sun. [From the world according to Lizard] قانون السØلية للقصور الذاتي السØلية ترى الصخور تريد أن ØªØ³ØªØ±ÙŠØ ÙÙŠ مكانها على الكوكب، الدخان يريد الإستراØØ© Øيث هو ÙÙŠ السماء، النجوم تريد البقاء Øيث Ù‚ÙØ°ÙÙتْ قديما. السØلية تظن أن الأجسام الهامدة، تكون بلغت Øالتها الطبيعية، وأنها، السØلية، لكي تستطيع المشي ÙÙŠ خط مستقيم وبسرعة ثابتة، لا يلزمها أي قوى خارجية. مع ذلك، الريØØŒ بين الÙينة والأخرى، كانت تتدخل لتزيد من تسارعها. الشمس٠أيضا. مقطع من العالم كما تراه السØلية
Pen and Ink on Paper
One-of-a-kind Artwork
13 W x 15.4 H x 0.1 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Lebanon.
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Lebanon
Born 1988 in Nashville, Tennessee Currently working from my atelier in Beirut, Lebanon since 2011, I continue to pursue my education and understanding of Islamic Art and calligraphy. Working in the Diwani, Diwani Jali and square Kufic scripts, I use the words to create illustrations ranging from portraits to geometric abstract constructions. The work celebrates Middle Eastern and Islamic culture in addition to focusing on human rights in the post colonial era, with an emphasis on American and western foreign policy. With few calligraphers who use their words to illustrate rather than write, my greatest inspiration comes from Jila Peacock, and Hassan Musa. My aim is to eventually achieve the flawless legibility of Peacock's work while also grasping the visual accuracy with which Hassan Musa illegibly creates his animals and figures, using shapes and strokes inspired by calligraphy. As nearly all of the original work has been sold. I'm primarily selling limited edition facsimile giclee prints, on Saatchi, particularly only those in which at least half of the edition has already been sold.
Artist featured by Saatchi Art in a collection
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