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Manipura Chakra Drawing

Mya Lurgo

Switzerland

Drawing, Colored Pencil on Paper

Size: 11.8 W x 15.7 H x 0.1 D in

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$590

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ABOUT THE ARTWORK

Drawing is a meditative practice. One sets up the environment, the tools, the light, and the body so that tension does not pour into the stretch. The mind aligns here and now without stumbling into dynamics already experienced or climbing into probable future scenarios. Manipura chakra or third chakra, also called the city of the shining jewel: the seat of the ego.

DETAILS AND DIMENSIONS
Drawing:

Colored Pencil on Paper

Original:

One-of-a-kind Artwork

Size:

11.8 W x 15.7 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

STATEMENT The ART OF THE SPIRIT is the goal I have achieved and still feel I am pursuing. It is not necessarily immaterial or conceptual art, but creativity is aligned in my entire being: physical-etheric, emotional or astral, mental, causal or soul, spiritual. Over the years, the integral alignment of earthly and celestial vehicles has allowed for a voluntary, direct, and coherent connection with the superconscious. From this cohesion flows righteousness, well-being, integrity, and even focus, which becomes as easy as opening oneself to intuitive grace. It is no longer a sporadic state but a modus operandi stemming from knowing how to prepare oneself at every existential level, bypassing the personality filter. The initial research has become, with time and practice, a téchne, including different means of expression: painting, light art, digital art, video art, and performance. Before approaching the artistic expression of the SPIRIT, I went through, over several years, four personal and creative phases, described in my diary and manifesto without circumferences - acentrism: from the dream of the ego to Divine Reality - published by Bellati Editore in 2007 (Italian language). A-centrism is not the absence of a central core but rather the progressive resetting from pre-constituted circumferences: false selves, misleading forms, repetitive patterns, and conditioning. To return to the truth in me, I shaved the paintings - grattage - back to the virgin canvas and burnt drawings and thoughts until I perceived the fragrance and noise of emptiness. I chased "Vertical Alleys" (pictorial series) and crossed "Circus-stances/circumstances" (pictorial series) before glimpsing the light I recounted in my Light Artworks. Light has become a progressive presence and an all-pervasive atmosphere that I have learnt to recognise and glimpse between the folds/creases of matter. The Immaterial became perceptible over time. Thanks to Yves Klein's Manifesto analysis, I attended the Rosicrucian Studies Group for several years, as Klein was a student at Oceanside in California. In the eBook Out of the Blue: Yves Klein's Immateriality meets acentrism, available on my website at the moment only in Italian, I retrace the Rosicrucian interpretation of his Manifesto, also partly narrated by the critic Thomas McEvilley in the book Yves the Provocateur.

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