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"Orange Nearly Black" Drawing

Veronique Gros, France

Drawing, Ink on Paper

23.6 W x 39.4 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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"A closed space which finally is always going to find a breakaway. " Unpredictable, always renewed, almost geometrical concentric forms seem to remember and to carry in them the memory of their disappeared matrix. Their pronounced visible outlines appear under a spontaneous line to the acrylic and ...

Year Created:

2018

Subject:
Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 39.4 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

Need more information?

Need more information?

VERONIQUE GROS Véronique Gros, painter, was born on March 20, 1973 in Mulhouse, she lives and works in Saint-Ouen. After graduating at Les Beaux Arts in Mulhouse and Arts-Déco in Strasbourg, Véronique devoted the beginning of her professional life to the creation of motifs for the textile industry. Then, very quickly, she knew that painting was the most important thing in her life. Her painting is at structured and anarchic, full of violence and contrasts - harmony as well - the brutality of the gesture, the valorisation of the spontaneous. Véronique scratches, hollows, lacerates, to the scar, the indelible wound. "A closed space which finally is always going to find a breakaway. " Unpredictable, always renewed, almost geometrical concentric forms seem to remember and to carry in them the memory of their disappeared matrix. Their pronounced visible outlines appear under a spontaneous line to the acrylic and to the ink on thick paper. In this captivating and organic dumping, Véronique Gros works so much on what binds that on what separates. The link which gathers (collects) as the one who tears causing the loss, the estrangement. Between presence and absence, in an insistent and repeated speed, it draws, tears up, scratches, abrasions, highlights. Scratches, tears, grazes testify of the esthetic accident where the random shows itself in perpetual conflict with the control of its gesture.

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