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Ode to Pierrette 001/2018 Drawing

Hanna Ten Doornkaat

United Kingdom

Drawing, Graphite on Wood

Size: 7.9 W x 9.8 H x 0.1 D in

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$1,640

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865 Views

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Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Featured in Inside The Studio

Featured in Inside The Studio

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

All my works sit between drawing and painting.The work is an exploration of the possibilities of abstract line drawings and an examination of the relationship between seeing, perception and understanding what is seen or unseen. I am interested in new ideas about the meaning of drawing, A complex repetitive process of mark making and erasure––revealing and concealing––informs my drawing practice. The serial mark making mirrors the series of ideas involved in my drawings. I directly respond to the continual thread of fleeting moments in the online/social media experience, whilst drawing information and memories from art history––even though the visual result is non-descriptive or referential.

DETAILS AND DIMENSIONS
Drawing:

Graphite on Wood

Original:

One-of-a-kind Artwork

Size:

7.9 W x 9.8 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

born in Heidelberg, Germany Living and working in UK My intricate drawings explore mark-making as compound memory. Constructed from layer upon layer of rectilinear geometries, obsessively serialised marks and lines, my work incorporates process as signifier of human response to both the experiential, as defined by materials and memory, and the mind’s abstract construction of form and meaning. These are the words used by art historian Martin Kerrison who wrote about my work. Simply said I am interested in serial mark making and memory. More recently my work has been described as follows: "Between passivity and action. Hanna’s linear proposals not to primal marks. They are straightforward and not at all, as they project and deny a complexity of the art making process. Paint and graphite are adhered at different stages then often partially removed. The aesthetic derived from their removal is not entirely in the artist’s control. The result is the reveal of a process of assertion and denial.” extract from an essay by Jillian Knipe, artist and writer

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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