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"Organic Blue Square For Soulages" Drawing

Marijah Bac Cam

France

Drawing, Ink on Canvas

Size: 7.9 W x 7.9 H x 0.1 D in

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SOLD
Originally listed for $310

368 Views

39

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Drawings/Paintings 20x20 cm / 7,87x7,87 in on linen canvas on cardboard. * Can be purchased individually. See my portfolio. * "Organic Blue Square For Soulages" was created on the day Soulages passed away. As a tribute to Soulages, there's black, obviously the painter's color. Here, the color blue is detached from black to highlight the discourse on color emerging from black. The organic, graphic golden lines symbolize the luminous glow produced by the intensity and luminosity of his Outrenoirs. The squares on linen canvas are reminiscent of the hue of his stained-glass windows in the Abbey Church of Conques as the sun begins to decline. * "Organic Blue Square For Soulages" a été créé le jour où Soulages a trépassé. En tant que hommage à Soulages, il y a le noir, évidemment la couleur du peintre. La couleur bleu est ici détachée du noir pour mettre en évidence sont discours sur la couleur emergeant du noir. Les lignes organiques et graphiques dorées symbolisent l'éclat lumineux que prodiguent l'intensité et la luminosité de ses Outrenoirs. Les Carrés sur toiles de lin cartonnées sont pour rappeler la teinte de ses vitraux à l'Abbatiale de Conques à l'heure ou le soleil commence à décliner.

DETAILS AND DIMENSIONS
Drawing:

Ink on Canvas

Original:

One-of-a-kind Artwork

Size:

7.9 W x 7.9 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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