147 Views
29
View In My Room
Drawing, Ink on Paper
Size: 35.4 W x 15.7 H x 0.1 D in
Ships in a Box
147 Views
29
Featured in the Catalog
Showed at the The Other Art Fair
Artist featured in a collection
3 artworks withInk and metallic Marker on fine art canvas paper Hahnemühle 300g - 30x40 cm each. *Possibility of purchasing them individually. Ships not framed. 'Organic Temporality (triptych)' is part of a new series on the theme of the vibrations of music and its temporality. I pursue my main subject on showing surface and depth of things that can be perceived differently according to the point of view of the spectators and their imagination. *Featured in 'Art Gifts: For the Wellness Enthusiast' Curated by Victoria Kennedy Associate Curator at Saatchi Art. * Featured in 'Art for your Holiday Mantel' Curated by Megan Wright Assistant Curator at Saatchi Art.
2019
Ink on Paper
One-of-a-kind Artwork
35.4 W x 15.7 H x 0.1 D in
2
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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