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PI 057 Drawing

Hanna Ten Doornkaat

United Kingdom

Drawing, Graphite on Wood

Size: 47.2 W x 47.2 H x 0.8 D in

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$7,760

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1545 Views
101

Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Featured in Inside The Studio

Featured in Inside The Studio

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

this work is multi panelled and connected by metal brackets which are part of the construction. The size might vary slightly depending on how the work is mounted. The densely drawn graphite lines are a recurring element in my work which is a process of revealing and concealing the many drawn layers like a palimpsest. My inspiration comes from a huge number of art sources, exhibitions visited, social media, but more often from fragments of something remembered or seen which is then made visible. This can be a shape, a colour combination, a mark, a texture.

Details & Dimensions

Multi-paneled Drawing:Graphite on Wood

Original:One-of-a-kind Artwork

Size:47.2 W x 47.2 H x 0.8 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

born in Heidelberg, Germany Living and working in UK My intricate drawings explore mark-making as compound memory. Constructed from layer upon layer of rectilinear geometries, obsessively serialised marks and lines, my work incorporates process as signifier of human response to both the experiential, as defined by materials and memory, and the mind’s abstract construction of form and meaning. These are the words used by art historian Martin Kerrison who wrote about my work. Simply said I am interested in serial mark making and memory. More recently my work has been described as follows: "Between passivity and action. Hanna’s linear proposals not to primal marks. They are straightforward and not at all, as they project and deny a complexity of the art making process. Paint and graphite are adhered at different stages then often partially removed. The aesthetic derived from their removal is not entirely in the artist’s control. The result is the reveal of a process of assertion and denial.” extract from an essay by Jillian Knipe, artist and writer

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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