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Drawing, Graphite on Wood
Size: 47.2 W x 47.2 H x 0.8 D in
Ships in a Crate
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this work is multi panelled and connected by metal brackets which are part of the construction. The size might vary slightly depending on how the work is mounted. The densely drawn graphite lines are a recurring element in my work which is a process of revealing and concealing the many drawn layers like a palimpsest. My inspiration comes from a huge number of art sources, exhibitions visited, social media, but more often from fragments of something remembered or seen which is then made visible. This can be a shape, a colour combination, a mark, a texture.
Multi-paneled Drawing:Graphite on Wood
Size:47.2 W x 47.2 H x 0.8 D in
Number of Panels:2
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
born in Heidelberg, Germany Living and working in UK My intricate drawings explore mark-making as compound memory. Constructed from layer upon layer of rectilinear geometries, obsessively serialised marks and lines, my work incorporates process as signifier of human response to both the experiential, as defined by materials and memory, and the mind’s abstract construction of form and meaning. These are the words used by art historian Martin Kerrison who wrote about my work. Simply said I am interested in serial mark making and memory. More recently my work has been described as follows: "Between passivity and action. Hanna’s linear proposals not to primal marks. They are straightforward and not at all, as they project and deny a complexity of the art making process. Paint and graphite are adhered at different stages then often partially removed. The aesthetic derived from their removal is not entirely in the artist’s control. The result is the reveal of a process of assertion and denial.” extract from an essay by Jillian Knipe, artist and writer
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