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United Kingdom
Drawing, Water Soluble Wax Crayon on Sunn Hemp Handmade Paper
Size: 22.8 W x 31.5 H x 0 D in
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‘Partition’ is an observational drawing of scattered shadows dancing across a set of curtains, which I created using textured lines and blocks of tone. This piece follows on from a process-led practice, a key feature of which involves the removal of detail. By redrawing the subject matter, using the previous drawing as a new reference, I abstract the image from its original form, removing detail each time and thereby creating a new, otherworldly space. By abstracting the original space I aim to capture a moment without the need for explicit definition.
Original Created:2022
Subjects:Abstract
Materials:Sunn Hemp Handmade Paper
Mediums:Water Soluble Wax Crayon
Drawing:Water Soluble Wax Crayon on Sunn Hemp Handmade Paper
Original:One-of-a-kind Artwork
Size:22.8 W x 31.5 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Nancy Nightingale is an Artist based in Edinburgh, United Kingdom, who graduated from Edinburgh College of Art at the University of Edinburgh in 2018, specialising in Painting. Within her work Nancy observes how changing daylight transforms spaces through elongated shadow forms. The focus of Nancy’s practice is the translation of light and shadow within spaces possessing a cinematic quality into textured mark making, and more recently extending this theme through photography and filmmaking. The construction of space is made with sensitivity to materiality, imitating visual moments containing both harsh and subtle light. The artist’s main body of work is often process-led which allows for a controlled restriction of information by removing detail, abstracting each space that would usually be regarded as something ordinary or routine. Materials are used as a tool for creating visual noise, where quieter moments exist within subtle changes in texture. By abstracting the original space, Nancy is able to capture the mood without the need for explicit definition. Nancy’s work asks the viewer to look a little differently at the moments that pass them by, and notice how interaction with light plays a huge role in how a place can be perceived.
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