25 Views
2
View In My Room
Drawing, Charcoal on Paper
Size: 56.7 W x 39.4 H x 0.1 D in
Ships in a Tube
25 Views
2
Artist featured in a collection
Minimalist charcoal drawing on colored 340gsm paper. It's basically the end product of a long process of cutting up and rearranging geometrical and architectural shapes. With these reduced drawings I´m trying to remove as much as I can from the composition. When I can't remove anything more it´s finished. The drawings are sold unframed, so you´d have to reserve some additional funds for framing. I would recommend framing them in two separate oak boxes with reflex free museum glass, which would probably cost something around 500$ depending on where you are based.
2020
Charcoal on Paper
One-of-a-kind Artwork
56.7 W x 39.4 H x 0.1 D in
2
Not Framed
Not applicable
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Sweden.
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Sweden
Mic Linder (b. 1988) is a painter and sculptor with a background in graffiti. As a teenager he painted comic book style inspired figures in pedestrian underpasses and abandoned places. Deeply interested in figuration, he started exploring ways of breaking up his compositions through the use of collage. The figures and milieus started getting more and more reduced to painterly gestures at this point. These gestures in turn get formalized and solid and translated into blocks and flat surfaces in the series that will later become Linder’s geometric works. In his works form, surface and color act as meaningful elements in an improvised, rhythmical and architectural display. His figurative background acts as a foundation that informs the direction of the abstractions. By deriving principles of composition and harmonious/disharmonious visual proportions from figuration and translating it to abstract scales Linder creates a feeling that one is looking at something familiar. This state of ”almost-recognition” makes his work oscillate between the silly and the monumental, between playful and serious, between the physical and the metaphysical. It ́s the painterly equivalent of having something on the tip of one’s tongue and if one were just able to make a little more of an effort... one would find the answer. It’s the known but not quite remembered.
Artist featured by Saatchi Art in a collection
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