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"Still Life with Dove and Light-Matter Interaction" Drawing

Ian Kendrick, Australia

Drawing, Ink on Paper

16.5 W x 23.3 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$565

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This work is a meditation on the connections and interactions between art, science and religion in the twenty-first century. The scientific diagram represents light-matter interaction, the dove re-represents the Holy Spirit and peace, while the compositional structure and treatment of forms represen...

Year Created:

2025

Subject:
Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

16.5 W x 23.3 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Australia.

Need more information?

Need more information?

I am an Australian painter and graphic artist working in acrylics, enamels, pen and ink. I studied painting, drawing and print making at the Victorian College of the Arts (Melbourne) from 1979 - 81, with a major in painting. After graduation I set up my studio and began painting, while teaching art part-time in a community arts centre. Between 1992-98 I studied art history at the University of Melbourne and, as a PhD student, I worked in Rome, Paris and Copenhagen. In late 1998 I began working as an art librarian at the University of Melbourne. This was my day job for twenty years, while I continued to keep a studio and work on paintings and graphic works. I retired from library work in 2017 and have since been working full time in my studio. My work is held in private collections in San Francisco, Melbourne, Hobart and Launceston. My principle theme is art within art. I began this approach in 1985, using synthetic cubism as a springboard for my compositions. I like to juxtapose abstract and representational forms, patterns and symbols, to create multi-layered allusions to contemporary ideas and art-historical contexts. Ultimately, I think it is important to correlate my work with the art of the past and contemporary frames of reference. Most recently, I have been exploring the connections and interactions between art, science and religion. The main influences on my work are: Vermeer, Magritte, Picasso, Matisse, Japanese ukiyo-e prints, and aspects of contemporary Australian painting.

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