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This is a graphite study for a bigger composition, perhaps, to be made into a large painting. It's brother, done in a frenzy of pen strokes, last night, has a room full of noses behind the curtain, where they are before an ornate mirror. This work comes framed behind glass, and ready to hang.
This is a graphite study for a bigger composition, perhaps, to be made into a large painting. It's brother, done in a frenzy of pen strokes, last night, has a room full of noses behind the curtain, where they are before an ornate mirror. This work comes framed behind glass, and ready to hang.
This is a graphite study for a bigger composition, perhaps, to be made into a large painting. It's brother, done in a frenzy of pen strokes, last night, has a room full of noses behind the curtain, where they are before an ornate mirror. This work comes framed behind glass, and ready to hang.
The last two are of the germination of the idea. Either, may become a larger work.
This is a graphite study for a bigger composition, perhaps, to be made into a large painting. It's brother, done in a frenzy of pen strokes, last night, has a room full of noses behind the curtain, where they are before an ornate mirror. This work comes framed behind glass, and ready to hang.
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Study in naked puppet 36f. Or; Pretending, at being a nose. Drawing

De Yos

United States

Drawing, Graphite on Paper

Size: 6 W x 8 H x 0.5 D in

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About The Artwork

This is a graphite study for a bigger composition, perhaps, to be made into a large painting. It's brother, done in a frenzy of pen strokes, last night, has a room full of noses behind the curtain, where they are before an ornate mirror. This work comes framed behind glass, and ready to hang.

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:6 W x 8 H x 0.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.

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