"Trump Voters: I Want You To Die Horribly" Drawing
Drawing, Pencil on Paper
5.8 W x 8.3 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
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$345
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This artwork is a comment on the heightened rhetoric in US politics and the childish finger-pointing that happens on both sides of the political debate. Depending on how you see it, this artwork could either be an inflammatory image or a nonsensical take on propaganda posters of a bygone era.
Year Created:
2020
Subject:
Styles:
Mediums:
Drawing, Pencil on Paper
Rarity:
One-of-a-kind Artwork
Size:
5.8 W x 8.3 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Michael Panteli
United Kingdom
Michael Panteli is a cartoonist and graphic illustrator who cut his teeth working for early 90s UK cult comics Zit and Smut. His Illustration work includes a comicbook series 'Joe Headstock' for , which gained an international following. He has designed various theatre posters and has also worked on several music projects, including album and merchandising artwork for the accomplished singer/guitarist/songwriter Nile Marr, son of Smiths guitarist Johnny Marr. Michael Panteli is also a long- time collaborator with once of his key influencers - underground comic book artist Robert Crumb. They started corresponding by mail in 2001 and have been pen friends ever since, working together on several artworks. His influences include golden age ('pre-code') comics of the 30s, 40s and early 50s, art deco and art nouveau advertising, WWI and WWII propaganda posters and the underground comics scene of the late 60s and early 70s particularly the works of Robert Crumb and Gilbert Shelton.
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