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Drawing, Ink on Paper
Size: 9 W x 12 H x 0.1 D in
Ships in a Box
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ABOUT THE ARTWORK
Gold Scraperfoil on 300gsm thick card / 305 x 229mm This series, entitled Native British Trees, proposes a bleak comment of our aggressive present and a probable near future; a stark warning to how our actions devastate the earth, or how Britain’s interference abroad can impact our nation for years to come. The outlines of mature Oaks, Limes, Willows or Elms bear a remarkable resemblance to that of an artillery explosion, detonated missile or military airstrike, which in turn, have been manufactured on (or originated from) our soil. These are studies are low-fi metallic scraperfoil drawings of images from news reports, which give a beautiful, highly reflective shine against the matte black background.
DETAILS AND DIMENSIONS
Drawing:
Ink on Paper
Original:
One-of-a-kind Artwork
Size:
9 W x 12 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Tristram Aver
United Kingdom
Tristram Aver is an artist and curator currently based in Nottingham, UK. Aver has been involved in activities ranging from album/single cover artwork for The Cooper Temple Clause breakthrough album 'Kick Up The Fire and Let The Flames Break Loose' (2003), to producing the visuals for BBC projects. Aver has been Chairman and studio holder at OpenHand Open Space Gallery (Reading, Berks; previous studio holders have included Cornelia Parker, Paula Rego and Paul Bonaventura) and he is currently a Curator at Nottingham Castle Museum & Art Gallery having worked on many high-profile contemporary and visual arts projects with artists, collections, curators and institutions worldwide. His work is also in significant private collections including the Bayswater Media Group, London, and The Stremmel Gallery Collection, Reno, Nevada.
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