VIEW IN MY ROOM
Indonesia
Drawing, Ballpoint Pen on Paper
Size: 25 W x 22 H x 1 D in
Ships in a Tube
About Madurese philosophy (clawing and pecking) is a survival instinct and work ethic of the Madurese in the overseas. The work ethic of Madurese who has been known to be very high because instinctively for those who work is part of his ibadhahnya and obligations. This very high work ethic is accompanied by the same tenacity. This is evident in immigrants or Madurese immigrants. By borrowing visul chicken claw that became a symbol for the work ethic, which by using chiken claw, chicken can claw parse the ground. And "We will survive on any land". Therefore we wandered to a far country.
Multi-paneled Drawing:Ballpoint Pen on Paper
Original:One-of-a-kind Artwork
Size:25 W x 22 H x 1 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Indonesia.
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Indonesia
Suvi Wahyudianto (Bangkalan, Madura, 28 April 1992) is an emerging artist, graduated from Fine Arts Education at Surabaya State University (UNESA). He is now active in Yogyakarta and Madura. His works focus on efforts to unravel the identity and culture of Madura. In processing his ideas, Suvi examines the problems of daily life, memory, and historical studies that function as the background of events. His ideas are channeled through various techniques and media, but he often tries to make work that is contemplative and poetic. In 2018, Suvi created a work titled “Angst” which presented his perspective on the history of ethnic conflicts that occurred in Sampit and Sambas (Sempadung). This work earned him the UOB Painting of the Year Award 2018 in Indonesia and Southeast Asian. Suvi also actively participated in various group exhibitions, biennales, and residencies. He has held solo exhibition, among other “Homo Sapirin” (2016) and “Onggha” (2017).
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