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caligraff 11 Drawing

Richard Saint-Amans

France

Drawing, Ink on Paper

Size: 30 W x 22.4 H x 0.1 D in

Ships in a Tube

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Part of my ongoing series of paintings/drawings on 22X30 inch. Following a series of papers stuck in the streets of Paris during the festival 2014 "the spring of poets". Excerpts from phrases, from words, poems...On 300gr Fine Art paper . Note that my drawings are sent rolled and very well protet...

Year Created:

2018

Subject:
Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

30 W x 22.4 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Need more information?

Richard Saint-Amans is a French artist born in 1949 in Béziers. he lives and works near Versailles. Although he has attended art courses in differents schools, Richard Saint-Amans defines himself as an autodidact. His artistic debut as a teenager took him to photography, which he turned aside to create hybrid prints, the preconceptions of which are already being worked on. Arrive painting. His taste for American hyperrealism, Flemish primitives, his background as a photographer naturally takes him to a hyperrealist figuration. He then works on the issue of transparency and glazing in a demanding technical exploration. He ends up feeling cramped in this approach and the concomitant discovery of Japan confirms the abandonment of this path. By freeing himself from the constraints of the technique, he refocuses himself on the line, concentrating on gestures in a quasi-calligraphic approach. Inspired by Hans Hartung, he is interested in signs, traces and other bits of memory left on the walls. Mixing of supports and hybridization still between text and pictorial work. Thus, most of the numbers he walked away the sandstone of his inner paths, he comes to superimpose signs, substrates of an almost forgotten writing, producing abstract compositions, stripping, purifying his line for ever closer of the essence of the gesture, calligraphing the painting in a way.

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