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Drawing, Pencil on Wood
Size: 7.9 W x 5.9 H x 0.8 D in
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1189 Views
80
Featured in the Catalog
Featured in Inside The Studio
Showed at the The Other Art Fair
Artist featured in a collection
most of my current work is located between drawing and painting. Grids are regularly recurring elements. The more work I make the more I try to simplify in an attempt to leave behind any references which is why I prefer drawing to painting. I am inspired by artists like Richard Tuttle and more recently Raoul de Keyser.
Pencil on Wood
One-of-a-kind Artwork
7.9 W x 5.9 H x 0.8 D in
Not Framed
Not applicable
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United Kingdom
born in Heidelberg, Germany Living and working in UK My intricate drawings explore mark-making as compound memory. Constructed from layer upon layer of rectilinear geometries, obsessively serialised marks and lines, my work incorporates process as signifier of human response to both the experiential, as defined by materials and memory, and the mind’s abstract construction of form and meaning. These are the words used by art historian Martin Kerrison who wrote about my work. Simply said I am interested in serial mark making and memory. More recently my work has been described as follows: "Between passivity and action. Hanna’s linear proposals not to primal marks. They are straightforward and not at all, as they project and deny a complexity of the art making process. Paint and graphite are adhered at different stages then often partially removed. The aesthetic derived from their removal is not entirely in the artist’s control. The result is the reveal of a process of assertion and denial.” extract from an essay by Jillian Knipe, artist and writer
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Featured in Saatchi Art's curated series, Inside The Studio
Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London
Artist featured by Saatchi Art in a collection
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