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The artwork goes well without any frame
A network of balsa wood plates and bamboo sticks
It required a great amount of patience and precision to get the outcome
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CHAIR Installation

Namman Shroff

India

Installation, Acrylic on Canvas

Size: 18 W x 24 H x 2 D in

Ships in a Box

$574

Shipping included

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164 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Some people tend to live in specific realms of reality, suited to their best interest. However, that reality is indeed bounded by a human mind's experience and knowledge. The term "imprison" may not be commonly used among us but has unknowingly become an integral part of our so called "sub-conscious...

Year Created:

2020

Subject:
Mediums:

Installation, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

18 W x 24 H x 2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

India.

Customs:

Shipments from India may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Namman Shroff has a diploma in Fine Arts and is an Architect by profession. He has a childlike curiosity and granular approach towards creation. In his current explorations, he juxtaposes flat medium work with lightweight cantilevered lattices of wood and bamboo sculpture - combining his dual training in fine art and architecture. He considers everything an experiment and tries to gauge how the viewer responds to his work. This kind of 'user experience' is very important for him. Many artists just express what they feel and do not really care how people receive their work. Naman deeply cares about this and wants to understand the minutiae of reactions that his work evokes, and then to make this understanding a primary tool to feed his vision for creating.

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