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'Delirium (or a beautiful orange leaf)' Installation

James Burke

United Kingdom

Installation, Other

Size: 78.7 W x 78.7 H x 0.1 D in

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Mechanising the organic form. Creating a ‘radioactive-day-glow’ orange leaf, or an empty circular void. Creating a sculptural wall painting using plastic and Expanded Polystyrene. The machine can manufacture beautiful things, but toxic things.

Year Created:

2020

Subject:
Mediums:
Mediums:

Installation, Other

Rarity:

One-of-a-kind Artwork

Size:

78.7 W x 78.7 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Need more information?

Need more information?

James Burke (b.1983) is a London based visual artist. 6 years of fine art training, culminated in a Masters degree at UAL Central Saint Martins in 2007. James Burke’s practice challenges current notions of colour & process, pattern & geometry, materiality & form; whilst drawing on principles from Formalism, Hard Edge & Minimilism, to the Bauhaus, Design Art & Relational Aesthetics. The circular geometry used by the artist seeps into cultures, with subtle differences & a broad range of applications. The geometry has been seen & experienced inside churches, cathedrals, mosques, synagogues, roman villas, ancient ruins, shopping malls, haute couture, books & museums. The artist extracts this geometric form & applies it through a postmodern working methodology. Artist notes: - ‘The act of using circular forms, creates a bridge between geometry as the machinery of reality, and the ergonomics of organic matter.’ J Burke, Financial Times Magazine, 2007. - Design principles & psychological narratives are explored through the lenses of both nature & the machine. - The circular form is beautiful. It never ends. - Belief is built around what is not visible, the empty fragments between what is visible.

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Curator - India Balyejusa

India Balyejusa, Senior Curator