VIEW IN MY ROOM
FLAW Installation
India
Installation, Acrylic on Canvas
Size: 36 W x 36 H x 4 D in
Ships in a Crate
Shipping included
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About The Artwork
Mixed Media on canvas/Installation - We never wonder what makes us to grow; what makes us to improve; what makes us to change; and so on and so forth. Well, do we really think that humans always try to overcome the "flaw" within them, even if it happens subconsciously? We tend to bridge the gaps, where lies chaos, multitude (No, I'm not just talking about generation gap). But, we can compare those bridges or connections as evil seeds of thoughts and destinations can be either of the two multiverse. Hence, why sowing such seeds , just in order to fulfill unfulfilled desires? I'm glad that I could come up with such thought, what a fusion of canvas and wood work can create. Therefore, I'm proud to share that this style is what I have been looking for and have found it.
Original Created:2020
Subjects:People
Materials:CanvasWoodSoft (Yarn, Cotton, Fabric)
Mediums:AcrylicWoodMarkerFound Objects
Details & Dimensions
Installation:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:36 W x 36 H x 4 D in
Frame:White
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:India.
Customs:Shipments from India may experience delays due to country's regulations for exporting valuable artworks.
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India
Naman Shroff has a diploma in Fine Arts and is an Architect by profession. He has a childlike curiosity and granular approach towards creation. In his current explorations, he juxtaposes flat medium work with lightweight cantilevered lattices of wood and bamboo sculpture - combining his dual training in fine art and architecture. He considers everything an experiment and tries to gauge how the viewer responds to his work. This kind of 'user experience' is very important for him. Many artists just express what they feel and do not really care how people receive their work. Naman deeply cares about this and wants to understand the minutiae of reactions that his work evokes, and then to make this understanding a primary tool to feed his vision for creating.
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