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Offshoring Pathways Installation

Michelle-Marie Letelier

Germany

Installation, Metal on Plastic

Size: 78 W x 48 H x 3.1 D in

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About The Artwork

The Flying P-liner Peking is one of the largest sailing vessels ever built. She carries a visual and historical heritage of well-known shipping routes that ran Chilean Saltpeter (sodium nitrate) by daring navigators sailing to cross, powered only by the wind, the challenging Cape Horn. Currently moored at the South Street Seaport Museum in Lower Manhattan, she carved such wakes for approximately a half century, before the Panama Canal was open, making the Cape Horn route obsolete; before steam engine replaced wind-powered vessels, making sailing navigation impractical; and before the discovery of the Haber process for the synthetic production of Chile Saltpeter (NaNO3), causing the decadence of saltpeter mining in Atacama. Offshoring Pathways is an installation that contains a solution of water, sodium nitrate and alkanes, with positively and negatively electrified copper wires representing the maritime routes of Peking to and from Northern Chile. As the solution evaporates, the drawing (made of saltpeter crystals) slowly appears in the pool (it takes 7 to 14 days for the solution to evaporate completely). Copper wires slowly dissolve into the solution, colouring the ocean region with blue-green while the South American continent takes on the black colour. The artwork is best appreciated on a time span of one week, when slow changes due to saltpeter evaporation and dissolving copper (not perceptible during a single visit) morph the crystal drawing into different configurations of its elements. The rich texture of the crystal drawing witnesses the grand and powerful energy configuration of the saltpeter zeitgeist: the ripples left on the Ocean surface by the Peking wake, the wind force over the ocean, the power of the sodium nitrate chemical bonds and the importance it had in the 19th and 20th centuries. Exhibited at El Museo de Los Sures, New York Technical assistance: Michele Galletti

Details & Dimensions

Installation:Metal on Plastic

Original:One-of-a-kind Artwork

Size:78 W x 48 H x 3.1 D in

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Michelle-Marie Letelier (Chile, 1977) lives and works in Berlin. Her work orchestrates transformations of natural resources, alongside extensive wide-ranging, interdisciplinary research into the landscapes where their exploitation and speculation take place. Through her work, she places together different epochs, regions and societies, examining political-economic, historical and cultural aspects. Since establishing in Berlin in 2007, she has focused her research on five resources: coal, copper, saltpetre, wind and, more recently, salmon. By applying, mixing and constellating their properties—such as electrical conductivity, crystallisation and agency—, chemical and physical transformation processes produce the artworks themselves, as well as their poiesis, beyond the extractive industry and its forms of control. Michelle-Marie Letelier obtained her Bachelor of Arts from the Universidad Católica de Chile in 2000 and has participated in postgraduate programmes such as Goldrausch Künstlerinnenprojekt art IT (Berlin) and as guest student in the Experimental Media Design studies at the Universität der Künste (Berlin). Her work has been shown internationally in biennials, galleries, museums and institutions, among others: Or Gallery (Vancouver); Gropius-Bau (Berlin); Kunstmuseum Bonn; Stanislavsky Electrotheatre (Moscow); Screen City Biennial 2019 (Stavanger); Bienal Sur 2017 (Buenos Aires); El Museo de Los Sures (New York); Kunsthall 3,14 (Bergen); Museo de la Solidaridad Salvador Allende (Santiago); Errant Bodies (Berlin); Museum of Contemporary Art (Santiago); Museo Nacional de Bellas Artes (Santiago) and Kommunale Galerie Charlottenburg (Berlin). She has been a resident at ISCP (NYC, 2014), USF (Bergen, 2017), Kunstnerhuset (Svolvær, 2018), Magallanes2020 (Punta Arenas, 2018), ISLA (Antofagasta, 2018) and Troms fylkeskultursenter (Tromsø, 2019).

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