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Installation, LED on Glass
Size: 196.9 W x 196.9 H x 196.9 D in
204 Views
0
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
ABOUT THE ARTWORK
Phenomenology (Full Spectrum Healing) is an experiential installation of 700 balls of light, emitting electromagnetic radiation at specific wavelengths within the visible spectrum. The work explores ideas of chromatherapy and the effect of specific vibrations of energy on the human body. It connects these ideas with ancient eastern philosophies linking these wavelengths to seven energy centres within the human body. This project explores a meeting place between quantitative research and unquantifiable human experience. The installation is made up of 700 RGB LEDs positioned inside handmade papier mâché lamps. These balls of light are connected to arduino micro-controllers, programmed to oscillate between key wavelengths in each colour range. Within the installation exists an anatomical glass heart, which forms a symbolic representation of the central energy centre, and provides the audience with a link to the conceptual framework of the project. This work becomes fully realised when experienced by its audience, as each individual becomes part of the work through their personal engagement with it.
Original Created:
2018
Subjects:
Styles:
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DETAILS AND DIMENSIONS
Installation:
LED on Glass
Original:
One-of-a-kind Artwork
Size:
196.9 W x 196.9 H x 196.9 D in
Frame:
Not Framed
Ready to Hang:
No
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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I am a multi-disciplinary artist working across photo-media, sculpture and installation. At the very core of my practice is a fascination with light. Drawn to its luminosity and its intangibility my methodology is speculative and experimental, relying on a sense of intuition and imagination in the production of my works. My most recent photographic series The sublime light (2015-2017) was inspired by research into the use of gold and representation of light, as well as notions of visual space in Byzantine iconography. The sublime and abstract photographs are gilded in post-production with 23.5 carat gold leaf. The compositions present multiple simultaneously-visible viewpoints that exist in the same picture frame and open questions about space and time in the image. They complicate traditional readings of the photographic image and can be described as non-static-still-images, whose meaning shifts and changes for the spectator as light reflects off the brilliant gold surface.
Artist Recognition
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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