Plant(iPod)Installation Installation

EN Jane Tingley is a Winnipeg-born artist living and working in Montréal. She received her MFA at Concordia University in 2006 and uses new media, sculpture, and installation to explore ideas involving identity and contemporary experience. She has participated in exhibitions and festivals in Canada, Asia, and Europe - including translife - International Triennial of Media Art at the National Art Museum of China, Beijing, the Canadian Embassy and Gallerie Le Deco in Tokyo (JP), Festival Break 2.3 in Ljubljana (SL), Elektra Festival in Montréal(CA) and the Künstlerhause in Vienna (AT). She received the Kenneth Finkelstein Prize in Sculpture, and has received support from a number of funding agencies, including the Manitoba Arts Council, le Conseil des arts et lettres du Québec, and the Canada Arts Council. Currently she is focusing on artistic production, as well as participating in Artist Residencies. -- FR Jane Tingley est une artiste de Winnipeg qui vit et travaille à Montréal. Elle a obtenu une maîtrise à l'université Concordia en 2006 et utilise les nouveaux médias, la sculpture et l'installation pour explorer des idées concernant l'identité et l'expérience contemporaine. Elle a participé à des expositions et festivals au Canada, en Asie et en Europe comme - Translife - Triennial international de l'art mediatique au musée national d'art de Chine (Peking), 'Identity' à l'ambassade du Canada à Tokyo et à la Gallerie Le Deco à Tokyo (JP), le Festival Break 2.3 à Ljubljana (SL), le Festival Elektra à Montréal (CA), et le Künstlerhause en Vienne (AT). Jane Tingley a reçu le Prix Kenneth Finkelstein en sculpture, et a obtenu le soutien financier d'un certain nombre d'organismes dont le Conseil des arts du Manitoba, le Conseil des arts et des lettres du Québec, et le Conseil des arts du Canada. Elle se concentre actuellement sur sa production artistique et participe à des résidences d'artistes. ______ My work is as concerned with the coherence of materiality as it is with the arrangement of objects in a space. I have been moving from an interest in the object as sight of contemplation to a desire to create responsive environments, with a focus on the experience of a space and the objects within it; as a result, my practice has become more installation-based.