56 Views
10
View In My Room
Installation, Paint on Wood
Size: 51 W x 63 H x 2.7 D in
Ships in a Crate
56 Views
10
Artist featured in a collection
The first Reliefs were created for the project L'Art Renouvelle le Lycée 2012, organised by the Passage de l'Art gallery. ARL theme - an opposition between excess and limitation - is present in my work by questioning the border between painting and spatial objects. In Reliefs I take up the theme by crossing bi-dimentional image limits and by opening them to other dimensions. At first I replaced the usual base of my paintings (canvas on frame) by a woodboard. Next I literally deepened the dissociation of the background and and the form of my images, cutting out the form from the background and hanging it a few centimeters from the wall. The forms hover on the wall which becomes the new background. It is a work on the border between painting and sculpture. The relationship between the plane form and the volume is very important during the phase of cutting the forms from paper, essential to the creation of my works, both pictorial and spatial, resulting from an intuitive need to experience space. The wooden elements are bolted by small metal hinges and screws. The hinges have got a few functions. They connect elements simultaneously keeping between them a fine separation line. This line, as well as the forms' borders function as a drawing. Apart from the possibility of real movement ( part folding of elements), hinges introduce an idea of movement, imaginary and much more vast into the piece. These plastic events are above all formal, although something of the figurative remains in them. The starting point of an abstract form very often comes from figurative forms, brought on by everyday reality. I am convinced that a real abstraction does not exist beyond of the idea of abstraction. More than abstraction, I am interested in the oddity of the received form, the multiplicity of senses which it evokes.
Paint on Wood
One-of-a-kind Artwork
51 W x 63 H x 2.7 D in
2
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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Izabela Kowalczyk is a French-Polish artist living and working in Marseille, France. Born in 1975, she grew up in Poland where in 2002 she obtained her Masters of Art diploma at the Academy of Fine Arts in Łòdź. Her early influences – the Polish constructivists from the 30's like Katarzyna Kobro, Władyslaw Strzemiński, Maria Jarema - aroused her interest for artists and architects like Kazimierz Malewicz, Aleksander Rodczenko, groups The Stijl and Bauhaus. Izabela's future investment in the questioning of the nature of space and its perception, by searching for a convergence between two-dimensional images and three-dimensional objects had already announced itself by her early fascination for the work of Elsworth Kelly, Sol Le Witt, Frank Stella or David Tremlett. A few weeks of residency at Art School in Stuttgart, Germany in 2000 and a four month stay in London, UK in 2001 let her discover, among others, Tony's Cragg sculptures oscillating between an abstraction and a kind of figuration remaining in it, and the sculptural and graphic work of Eduardo Chillida. In 2002 Izabela was a grand-holder of the French government, that allowed her to study at the Aix-en-Provence Art School and obtain a diploma in 2005. Since then she exhibits regularly in France and abroad.
Artist featured by Saatchi Art in a collection
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