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To kill the birds dreams Installation

Tristan Mills

United Kingdom

Installation, Mixed Media on Other

Size: 22.5 W x 59 H x 1327.5 D in

This artwork is not for sale.

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To kill the birds’ dreams shows how a generation of people, are constantly being fed a false sense of security. The cage crudely made out of found materials in a student based area, mixed with wood ash, almost hinting at the connation of a life circle of the era. In this installation orange canary b...

Year Created:

2011

Subject:
Mediums:

Installation, Mixed Media on Other

Rarity:

One-of-a-kind Artwork

Size:

22.5 W x 59 H x 1327.5 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Need more information?

Need more information?

"I like to capture reality in the same way a dream does, my work is of things which I make beautiful, sometimes, only for a short period then they change. My goal is to show the truth about life and our limitations, but to also celebrate how precious it is. For me destruction is a form of creation, and creation is a form of birth, I often work with the self, looking at what it means to be. I work very laterally with my materials and thought processes, being quite spontaneous about the objects I use, which creates excitement. I frequently find myself in skips and old buildings a lot, mixing pristine things with the old or the tattered, sometimes it's the space which works as the opposite, but I see that as being apart of the art. I was taught how to layer colour within painting, I feel that my work comes under the bracket of almost architecture or even collage. I've always been interested in what I can interact with; within a three dimensional space, installation and architecture allow me to do this. What strives me the most to create is how as an artist, I can take the ordinary and make it unreal. I tend to know the art is finished when I hit this point, in a way the situation or happening defines what I use".

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Curator - India Balyejusa

India Balyejusa, Senior Curator

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