VIEW IN MY ROOM
YTERA NEBULA (with LED lights) Installation
United States
Installation, Led on Pigements
Size: 30 W x 40 H x 2 D in
Ships in a Box
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Artist featured in a collection
About The Artwork
Tiffani created the YTERA NEBULA in a fluorescent array of colors launching forth with unimaginable vigor against the stark blackness of space. Small twinkles of far-away stars peek through the translucent luminosity of the burgeoning nebulaic clouds. The nebulae coming out the James Webb infrared telescope show what awaits us out there. In an infinite universe, there is a good chance a nebula very much like this one exists. It is a look beautifully magnified by the LED strips beaming out from behind the painting, elevating it to an art installation that merges form, light, and music. Sides: Oregon Poplar wood with Japanese style, "Shou Sugi Ban" effect* Materials: UV-Resistant, eco-friendly tinted epoxy resin, multilayered for extraordinary depth Lighting: Fully installed LED strips that are customizable via a remote control, can sync with music, and plugs into either a wall outlet, or a battery pack via a USB cord. This install gives the painting an outer glow that is achieved with transparent stand-offs for light leakage from behind. *Sides: Originating in 18th century Japan, shou sugi ban is a particularly striking method of preserving wood by charring it with fire. Tiffani captures the look of this ancient tradition by sanding and staining the sides charcoal and rubbing it in to the wood grain leaving a similar effect that robustly complements the otherworldly outreach of her nebula paintings.
Details & Dimensions
Installation:Led on Pigements
Original:One-of-a-kind Artwork
Size:30 W x 40 H x 2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I'm eternally in awe of not just the beauty that exists in nature but the laws that govern that beauty. The same laws that captivate us with a sprawling sunset (something quite large, also beguile us with the magnificence of a nebula (something mind-boggling huge) or with the inner structure of the cells in a leaf (something quite small). There is a beauty that belies itself as chaos all around us. I work in resin for this very reason. As I pour and manipulate the thick liquid resin, for a moment in time I experience, like a fleeting sunset, the beauty that the laws of physics creates on the canvas, just before it disappears and reinvents itself, settling on the final outcome of the painting. As a former surfer, this reminds me of lying on the board in the water and catching a glimpse of a never to be replicated moment where a small wave peaks and crests and water foams about only to disappear. I want to capture moments tied in their core to nature on a canvas. Resin lets me freeze those moments in time.
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