![The English expression Ha-Ha, which has also become common in German, can be explained from the onomatopoeic exclamation of astonishment.
The Ha Ha, not recognizable from a distance, is only visible when approaching, amazes the visitor who, surprised,often comments the construction with Ha- Ha or „Aha„.[1]
[1]Bill Bryson: Eine kurze Geschichte der alltäglichen Dinge. Goldmann Verlag, München 2011, ISBN 978-3-442-30122-5
ha-ha ...och!
3-part work,
2x 11.81"x15.74"x3.54 Wood, aluminum, Hahnemühlen fine art paper
1x 10,24"x3,62" aluminum, paper
-------------------------------------------
Der englische Ausdruck Ha-Ha, der sich auch im Deutschen eingebürgert hat, erklärt sich aus dem lautmalerischen Ausruf des Erstaunens. Der Ha-Ha, aus der Ferne nicht erkennbar, wird erst beim Herantreten sichtbar, verblüfft den Besucher, der die Konstruktion oft überrascht mit „Ha-ha!“ bzw. „Aha!“ kommentiert.[1]
[1] Bill Bryson: Eine kurze Geschichte der alltäglichen Dinge. Goldmann Verlag, München 2011, ISBN 978-3-442-30122-5
ha-ha ...och!
3-teilige Arbeit
2x 30x40x9cm Holz, Aluminium, Hahnemühlen fine art paper
1x 26 x9,2cm Aluminium, Papier](https://images.saatchiart.com/saatchi/964166/art/7106271/additional_d17754bc5b5d1cba920b80039936632bd4470af4-AICC2-22.jpg)
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Installation, Found Objects on Paper
Size: 19.1 W x 18.5 H x 3 D in
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$1,955
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ABOUT THE ARTWORK
The English expression Ha-Ha, which has also become common in German, can be explained from the onomatopoeic exclamation of astonishment. The Ha Ha, not recognizable from a distance, is only visible when approaching, amazes the visitor who, surprised,often comments the construction with Ha- Ha or „Aha„.[1] [1]Bill Bryson: Eine kurze Geschichte der alltäglichen Dinge. Goldmann Verlag, München 2011, ISBN 978-3-442-30122-5 ha-ha ...och! 3-part work, 2x 11.81"x15.74"x3.54 Wood, aluminum, Hahnemühlen fine art paper 1x 10,24"x3,62" aluminum, paper ------------------------------------------- Der englische Ausdruck Ha-Ha, der sich auch im Deutschen eingebürgert hat, erklärt sich aus dem lautmalerischen Ausruf des Erstaunens. Der Ha-Ha, aus der Ferne nicht erkennbar, wird erst beim Herantreten sichtbar, verblüfft den Besucher, der die Konstruktion oft überrascht mit „Ha-ha!“ bzw. „Aha!“ kommentiert.[1] [1] Bill Bryson: Eine kurze Geschichte der alltäglichen Dinge. Goldmann Verlag, München 2011, ISBN 978-3-442-30122-5 ha-ha ...och! 3-teilige Arbeit 2x 30x40x9cm Holz, Aluminium, Hahnemühlen fine art paper 1x 26 x9,2cm Aluminium, Papier
Original Created:
2019
Subjects:
Materials:
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Mediums:
DETAILS AND DIMENSIONS
Multi-paneled Installation:
Found Objects on Paper
Original:
One-of-a-kind Artwork
Size:
19.1 W x 18.5 H x 3 D in
Number of Panels:
2
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Box
SHIPPING AND RETURNS
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Wolfgang Sobolewski was interested in art in his early teens and practiced artistic techniques such as screen printing, etching, lithography and calligraphy in addition to photography. His professional career led him to photography, which he operated with his studio for advertising photography until 2015 and today devotes himself entirely to his artistic work. He is mainly interested in nature and landscape photography and does not necessarily care about the natural image of nature. Newer documentary black and white works from the year 2017 are "Two days before" and "Molenwater" The series "Curtains of Love", which started in 2016, shows multi-layered motifs of nature and artificial nature, some of which resemble dream scenes and merge into one motif. The work "Strolls" shows unspectacular nature motives that originated around Sobolewski's place of residence, a former center of coal and heavy industry (Ruhr Area).
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