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Installation, Pencil on Stainless Steel
Size: 35.4 W x 35.4 H x 2 D in
Ships in a Crate
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Showed at the The Other Art Fair
Artist featured in a collection
Installation:Pencil on Stainless Steel
Size:35.4 W x 35.4 H x 2 D in
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
As learned through the design of building, mainly public buildings, projects become rich and thoughtful through the process of design. Working and re-working iterations in a tactile manner through models and drawings molds and develops a project from a simple idea into an interweaving of informed decisions that transcend the work from good to great. Counterintuitively, the more constraints placed on an architectural project from the beginning inform the design and guide the process towards a better outcome. The process of making art is not dissimilar. Discoveries are made and built upon during the total immersion of making a piece which informs that work and/or contributes ideas for the next. As in Architecture, craft is an important component in working. Thoroughly immersing oneself in craft and honing this skill throughout the process of creating yields pieces that are just as important as the finished work that is being constructed. Jigs are made. Waste is collected and saved. A book has been cut in order to extract the words or names needed for a drawing. Something from everything and everything is potentially a work of art. As a conceptual artist I am most drawn to working with material and content that comes loaded with ingrained meaning and nostalgia. I typically identify with a concept, whether playful or cynical, in the media I choose and this becomes the starting point. From here I begin to deconstruct and completely displace the intended form from its original context. Reimagining and refitting in a very tactile process until a new form emerges along with the hope that a new perspective will be perceived from something that had such engrained prepossessed meaning, challenging what we all take for granted.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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