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5
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Mixed Media, Acrylic on Wood
Size: 18.9 W x 15.7 H x 1.2 D in
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164 Views
5
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Artist featured in a collection
Some geometric shapes have more depth and perspectives than others. In this wall sculpture, I wanted to work on the necker cube and tessellation to extend my exploration of color use and see if I could create different optical illusions in the same piece. I used the necker cube but in a cross shape, a plus sign. If you have not noticed yet, I like to use typography, and glyphs in my work. It’s a way to talk without talking and refers to the narrative associated with Art in the abstract, in general. This shape challenges your eyes to see 3D shapes even if there is no volume. It’s like a reflex, your vision will see popping some shapes without you even noticing. I chose to work with the primary colors, and from there used their tints and shades to add dimensions and be minimal in that sense. Within this painting sculpture, you can see three crosses in perspective, one cube, and side angles. As if layers of dimensions were added like a collage except it is not. As you might also know, I use browns and white to lift and lower the tone of colors. I want to keep the tint always in the proper condition and not “grey “them. Geometry always brings surprises in the process. I first started with colored pencils and draw grids to test the sketch before painting. As a drawing, it was really interesting to see how lines can also work and create dimension even an optical illusion but still not the 3d popping. In a way, it’s a color study and training for your eyes, maybe to things from another angle. Cross light tessellation Pigments and acrylic painting on reclaimed wood, hand jigsaw. 48 X 40 X 3 (cm) ready to hang Tel Aviv, 2023
2023
Acrylic on Wood
One-of-a-kind Artwork
18.9 W x 15.7 H x 1.2 D in
Not applicable
Yes
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Israel.
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French-Israeli artist, lives and works in Tel Aviv, Israel. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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