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Dahlia Bouquet Artwork

Scott Frankel

United States

Mixed Media, Algorithmic Art on Aluminium

Size: 15 W x 22 H x 0.1 D in

Ships in a Tube

This artwork is not for sale.

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ABOUT THE ARTWORK

The fleeting evanescence of floral bouquets makes them the perfect foil for special occasions. Colorful, warm, and bubbly, this dahlia bouquet is as simple as it is composed. The image started as a high-fidelity photograph that was sampled and reassembled as discreet, 2D vector shapes using homemade, generative software. The image pictured measures 15 x 22 inches, with (full bleed) image running all the way to the edges. Prints on paper feature archival inks and 100% rag fine art paper to produce works of lasting beauty, and look their best when paired with archival mattes and frames (not included). Prints on metal use high-quality inks on durable aluminum to create breathtakingly vibrant images. Though they cost slightly more ($1080), prints on metal come with pre-attached gallery hardware and are ready to hang, without requiring expensive mattes or frames. Vector art is resolution-independent. For other sizes, please contact me for details and pricing.

DETAILS AND DIMENSIONS
Mixed Media:

Algorithmic Art on Aluminium

Original:

One-of-a-kind Artwork

Size:

15 W x 22 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

A native of California now living and working in Oakland, Scott Frankel works in a variety of media ranging from oils and watercolors to generative digital synthesis and alternative photographic processes. A former fine arts filmmaker with a career pursued in film, Scott is a member of both the Academy of Motion Picture Arts and Sciences and the Association for Computing Machinery. The most pronounced unifying thread in his work is the pursuit of processes that are largely uncontrollable. Wet on wet watercolors run where they will; gum bichromate prints attain lustrous depth after a dozen or more layers; long exposure pinhole cameras capture what they please; and generative 3D processes take days of processing to reveal their uncanny, synthetic imagery. Each forces a dialogue that demands focused attention, the process requiring process to steer. Scott's work has been collected both privately and by corporations, with a 12 piece commission recently completed for a national financial institution.

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