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G to Fifty-eight (1 of 1) Artwork

Andre Waage

Germany

Mixed Media, Algorithmic Art on Canvas

Size: 59.1 W x 44.3 H x 1.6 D in

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$1,950

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ABOUT THE ARTWORK

The image is based on mathematical algorithms. The image is an attempt to depict repetitive structures, similar to those found in nature. Quality This unique picture is printed as FineArt-Giclée-Print on Hahnemühle Canvas twice UV-Protective (this is also a good protection against dust). The canvas is rolled up inexpensively and must be mounted on a stretcher frame at your location. The picture can not be hung that way. The picture has for this a canvas allowance of 6 cm (approx. 2,5 inch) on each side. The image was created on a color-calibrated monitor, which allows the finest brightness and color gradations, which are also printed. The printed image may differ from the one you see here. Signed digitally in the picture.

DETAILS AND DIMENSIONS
Mixed Media:

Algorithmic Art on Canvas

Original:

One-of-a-kind Artwork

Size:

59.1 W x 44.3 H x 1.6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I think, for good reasons one can say, repetitive is an essential, maybe the characteristic of our world (the being). Any leaf of a tree appears to us like any other, but no two leaves are alike (this example is from the philosopher Leibniz). Not in this year and not during the lifetime of the tree. And we do not find this leaf in other trees - at any time. So the same thing always seems to come back with a small deviation. But what distinguishes individual leaves, or individual stars from each other? What exactly makes a person to this person? Can we see more than functional pragmatic reasons behind the constantly recurring deviations? At the moment I am trying to use mathematical algorithms in my pictures to produce results that obviously differ greatly from each other, but they often have the same mathematical basis. If you take a closer look, you can see that (the pictures that belong together also always have the same basic name in the picture name). The generated basic geometries, which I then process further, lie between the 2nd and 3rd dimension, they are not flat, but also not three-dimensional. Later I would like to extend my considerations to aspects of time, space, form and content. Aesthetics is the most important thing in communicating my results. The fact that a picture looks appealing, i.e. that the viewer likes it, makes it convincing and you can recognize a "more", more than the shapes and colors on the picture.

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