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Mixed Media, Photo on Paper
Size: 59.1 W x 40.6 H x 0.1 D in
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The only known authenticated photographic record of the famous ‘Garden of Eden’ of the Bible. Garden of Eden: Prologue Keep down, they say. This involves lying alone on the back seat of a car in a canvas hood, being driven for hours on end, always at speed, tyres whining, changing cars many times. They took my watch, and set everything in my camera to zero. No one talking. Then holed up in windowless rooms, waiting. My guides speaking Arabic, I think, I wouldn’t know. Iraqi middlemen. Photographs, but not their real faces. Military airport. Difficult to know which country I was in. Not Israel. Not Russia. Somewhere airless, and dry. I have no idea. I feel jetlagged, confused. Finding it hard to breathe. Suddenly feeling captive, as if I had been kidnapped. I am shown an ancient picture of a locust. I lose consciousness. [Part of a limited edition artwork sequence, 1 of only 8] [Notes] My works are portals to strange and disturbing worlds which cannot be reached any other way. [For a more detailed explanation please check my writings online and videos on Youtube.] [All artworks are printed on archive quality oyster paper and then professionally framed, with reinforced backing and museum standard acrylic/Perspex. The framing of the larger works alone costs around $2k. I personally supervise the production of each one.]
2000
Photo on Paper
One-of-a-kind Artwork
59.1 W x 40.6 H x 0.1 D in
Black
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
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Born 1955 near Etersheim, North Holland. Lives in London and New York. Has also lived in Eastern Europe. Works mainly with photographs, and is interested only in the troubling and disconcerting aspects of life which can be discovered within the ordinary. Each of his artworks is designed to house its own impenetrable narrative; sometimes self-contained; sometimes reaching out to realms beyond itself. ‘Art is a special way to explore strange and disturbing features of life from within a reflective, imaginative, presentational context. Art is more interesting and important than decorative, ornamental craft, which is what most people think proper art is all about. Francis Bacon’s Figure with Meat (1954), for example, is authentic art, whereas da Vinci’s Mona Lisa is merely decorative craft; both share the same presentational medium, yet are worlds apart in their intention. Da Vinci wants you to glory in the realisation and application of his unquestionably sublime technique, whereas Bacon wants you to enter into the mind-distorting world he has discovered. Da Vinci is really only a supreme showman, whereas Bacon is offering you a ticket to god only knows where. I would rather take the ticket.’ Zaaiman does not cite any direct influences, although he feels a great affinity for the sort of mysterious and meaningless photographs often found in obscure textbooks, government publications, religious tracts, strange specialist magazines, and the like.
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