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"Inevitability Line" Artwork

Nancy Calef, United States

Mixed Media, Clay on Canvas

60 W x 40 H in

Ready to Hang

$8,475

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

In the consideration of our mortality, I've coated the train's floor with symbols of daily life. The painting is peppered with references to time and, and our brief visit on earth. The train ticket reads "Destiny Transit, Priceless, one entry and one exit valid at birth."

Year Created:

2018

Mediums:

Mixed Media, Clay on Canvas

Rarity:

One-of-a-kind Artwork

Size:

60 W x 40 H x 2 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

For many years I've been creating "Peoplescapes," oil, sculptured characters and applied objects on canvas, addressing cultural, political and spiritual issues facing society. By juxtaposing people in recognizable places and situations, each painting weaves together a story about contemporary life, filled with layers of detail, symbolism and humor. "Plane slashing" is the latest progression of my 3D technique building up the canvas; lately I'm tearing, cutting and manipulating the plane of a painting, while integrating it with one or more finished canvases attached. Painting into the deconstructed imagery as a whole, leaving various portions of the underlying picture(s) in tact, results in a cohesively transformed multi-dimensional piece. As this work evolves, the experience is liberating, moving from chaos to destruction and on to an intuitive composition somewhere between abstraction and surrealism. Everyday, I take the brush to canvas and, although I am confronted with fear and insecurity, I also tap into a limitless source of imagery. In those moments, time falls away and it seems that the work creates itself.

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