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Late Bloomer Artwork

Michele Utley Voigt

United States

Mixed Media, Ink on Wood

Size: 50 W x 50 H x 2 D in

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About The Artwork

Late Bloomer is part of the Domestic Situation Series, exploring the systematic domestication of women, transcendentalism and the modernization of pragmatic feminism. The series gambols between the modern world via technology and the traditional world through oil painting applied using master’s techniques. Large-scale paintings, NFTs, and digital presentations consider our modern caste system, aspirations for beauty, entrapment of desire, empowerment of luxury, and ultimate emancipation. It explores systemic female conditioning and aligns the subjects within that realm while embracing cultural icons. The works explode with voyeuristic opportunities offering both the subject and the viewer moments steeped with escapism. As for relationships, this Late Bloomer is always fashionably late. The empty chairs in this painting hold space for what is to come. The protagonist absent the flowered adorned thrown saves seats at the table for others.

Details & Dimensions

Mixed Media:Ink on Wood

Original:One-of-a-kind Artwork

Size:50 W x 50 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I paint stories of the human experience. The soul of life is demonstrated in depictions of figures interacting within a realm of time, realities, and one another. I paint that that is seen and unseen. I depict the beauty that often exists after a tragedy. I express the plane of existence pictorially divided, fragmented, as the energy and emotion around each being and happening. Often this movement is abstract, and often it is literal. I create images from inside myself. I carry them and grow them within me until I paint. Most of my paintings are of women and their realities as they relate to the greater human experience. Since my early life, I have worked in oils and prefer my expressions to be shared in their radiance applied using master techniques. The cause for which I create is my acute foresight and sense of the interconnectedness of all elements and time. What is seen and not seen. Known and not known. Contemporaneous, interacting, and incessantly influencing one another in a continuum of the past, present, and future. The entirety exists concurrently. I render the human relationship with eternity. I convey the human experience; acts, thoughts, sentiments, and situations layered upon all those of the past. Giving that human existence as we experience it is bound to the continuum of time. My vision is the complex language of layering multiple imagery levels representing the complicated content of a consequence, condition, moment, notion, or incident. The dialogue I consign contains all elements past and present, their atmosphere, and the energy collectively interacting. My work foreshadows the continuum of the condition. I paint to deliver a vision that others have not seen.

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