Liberté guidant le peuple Artwork

I am trying to represent a type of Cuadriloscopios, a word that I have invented, and put «Caligrafía de las Figuras» into context. It was years ago that «Cuadriloscopio» had its moment of manifestos and exhibitions, experiments with chromatic aberration and color blindness. Far from getting dizzy again, I focus my attention on being water that runs and disperses in some sea, saving time, intensity and money, my own and public, to consider that the paint strokes move on alone. They are themes about religious beliefs and thoughts that define a piece for it to exist and for others to disappear. And that which is, is only for a time. Sometimes ink has to be refilled to leave the arm to move with total liberty. And sometimes in this slow process I decide that I find a symbol or figure. Just at this moment the pendulum concentrates on the surface continuing to draw, scratch and lick it, focusing on what the figure wants to be but still does not know it. It would be easier if I were to show with shadow play the necessity to express ourselves that we have. How a handprint left on a cave wall has evolved like magic imagery, a form of barter developed from brands indicating ownership, through Hieroglyphics, complicated ideograms into conventional handwriting.