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MNA 5 Artwork

Elen Alien

United Kingdom

Mixed Media, Resin on Other

Size: 25.2 W x 35 H x 1.2 D in

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62 Views
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About The Artwork

A direct encounter with the material pattern of nature immerses the viewer in meditative reflections on the value of a fleeting moment and gives time and silence to search for stable support within oneself, especially relevant now, in a rapidly changing reality, an unimaginable mixture of concepts, events, aesthetics, and politics. The artist aims to restart and actualize the viewer’s perception of the sadness of the loss of the past to enhance the joy of the present and change the optics. The viewer is allowed to see himself, space, and the world through the prism of "mono no aware": the works are transparent, mirrored, and fundamentally tuned to the tone of the environment and the audience's empathy. Through the structural correlation of objects with the surrounding space and directly with the viewer, the author abstracts and emphasizes the fundamental correlativity of the universe: people, nature, objects are actors in the processes of life and death, which in one way or another influence the whole world.

Details & Dimensions

Mixed Media:Resin on Other

Original:One-of-a-kind Artwork

Size:25.2 W x 35 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For me, constantly moving between countries, not verbal, but the visual language has become an actual form of communication. My art is about our inner processes, often mirroring in the outer world. Being born in a multicultural environment, I consider myself a citizen of the world. I combine elements of different times and cultural communities to show the absence of the need for separation, labeling. After all, we form all this together, in co-existence. Nature with its processes has become both my source of inspiration and the most suitable material for my works. I am interested in its symbolic properties, intertextuality, transformative qualities, energy, and mood. I unite opposites, such as the tenderness of flowers and the hardness of epoxy resin, thereby revealing the ambivalence of being. I tear objects out of their natural cycle, idealizing them, transforming the finite into a semblance of the infinite. My work focuses on our notion and perception of time. I celebrate the beauty of imperfection because every flaw is a trace of the inexorable elusiveness of time, evidence of experiential involvement, and, thus, an organ of self-identification. That’s why the contingency of the process and the errors resulting from the experimental move are important to my practice.

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