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Oranges Abstract - Limited Edition of 12 Artwork

Eric Feathers

United States

Mixed Media, Color on Canvas

Size: 40 W x 50 H x 1.5 D in

Ships in a Crate

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About The Artwork

This is from the second part of series combining analog and digital image making. I am a studio photographer by trade and I have created still life compositions on a daily basis for decades, all captured on 4"x5" color transparency film. Many of these images have made their way into an experiment that took several years to complete, an experiment that abstracted the image on the film, and then were stored until I brought this collection to a digital lab for scans that I manipulated further in Photoshop, before digital printing on canvas. (Thank you Digital Grange in Petaluma, CA, for collaborating.) During this stage of the project, I was making custom stretcher bars for fine art painters which influenced me in a way that I grew to appreciate the painterly quality of these hybrid photographs. Many of these have completely obliterated the original photograph, leaving a beautiful abstract composed of the color emulsion on the original film and I hope people viewing these images will let their mind wander and create images in the mind's eye

Details & Dimensions

Mixed Media:Color on Canvas

Artist Produced Limited Edition of:12

Size:40 W x 50 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

While documenting my travels to Europe, Jamaica, the Hawaiian islands and California, I worked in a busy commercial photo studio constantly honing my technical skills in both subject areas. In the mid 80's, I was ready to apply myself to fine art photography so I applied to the SF Art Institute where I earned honors in color photography while studying with Reagan Louie, https://www.sfai.edu/bios/reagan-louie. During my two years at the Art Institute, I formed a lasting friendship with Chair of the Photo Dept., Jack Fulton, https://www.sfai.edu/bios/jack-fulton, who mentored me and helped curate my undergraduate exhibition. After graduation, I created and managed the Clara Street Studio which became an incubator for collaboration among visual artists and performing artists while providing me a studio for experiments with light and a large space to create photo-collage. During the infancy of digital photography, I married and moved to a remote region of Brazil, where, for nearly eight years, I documented everything around me. I continued shooting with film, creating photo-collage and large scale prints for exhibition, while teaching myself digital photography to share online at itacare.com My return to SF found me working as in-house photographer at a gallery located at 49 Geary Street, home to over a dozen contemporary art galleries. Matt McKinley curated many shows there and exhibited my work from Brazil at several venues around the City. https://www.mckinleyartsolutions.com/home.html A few years passed and I was offered an opportunity I couldn't pass up. I moved to Healdsburg, CA, just over an hour north of the Golden Gate in the heart of wine country, where I could live and work on the Russian River, creating fine art stretcher bars and panels. The John Annesley Company, https://www.johnannesley.com/, serves museums, conservators, galleries and working artists like David Hockney. As an account manager, I brought in new clients including the Smithsonian and the College of Notre Dame. I opened a photo studio in Healdsburg working with artists, entertainers and entrepeneurs as well as the people, the vineyards and the culture behind the wine industry. From there, I moved west to live among the redwoods and photograph the dramatic northern California coast. I recently settled in the town of Sonoma where I am editing the seascapes while printing and mounting those images and others from the archives.

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