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1
View In My Room
Mixed Media, Acrylic on Paper
Size: 20 W x 24 H x 0.1 D in
Ships in a Tube
36 Views
1
Featured in the Catalog
Showed at the The Other Art Fair
Artist featured in a collection
The red cap in the Igbo community is a symbol of authority, tradition and culture it represents the chieftancy institution. The right to wear the red cap is granted in recognition of ones contribution to the socio-economic development of community. It is a ruling system which has Been preserved for decades. It embodies our communal way of living and working. It reminds us that power has to be earned and that a leader is ultimately a servant. It’s a decentralized form of power which unifies its people under one cause, which is to make life better for everyone in the community.
2021
Acrylic on Paper
2
20 W x 24 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Nigeria.
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Nigeria
Stephanie Unaeze is a self taught Visual Artist currently living and working in Lagos Nigeria. Her practice aims to understand and document the effects that society, culture and tradition have on the proverbial self. Tackling issues such as globalization, post-colonial consumerism and identity. She credits her multi-cultural upbringing as one of her main influences. Through her form which she describes as ‘Modern Afro- Pop- Surrealism’, she is able to juxtapose fact against fantasy traversing through the conscious and subconscious with ease. Her work acts as a conduit for history, bringing it into the new age whilst maintaining its authenticity. Stephanie uses her art to express and document the nuances, complexities and layers that surround the modern African lifestyle. With the use of patterns, geometric design and vibrant colors she evokes the strong flavors of the continent and the spirit of its people. Her use of minimal often faceless figures projects the idea that the self is always present through cultural shifts, new forms of expression and societal changes. Her work is resonant and reminds us that we as individuals are a sum of many moving parts, that surpass basic socio-normative identities. She acknowledges the constant state of becoming that exists in the world as a macrocosm of the self.
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, Los Angeles
Artist featured by Saatchi Art in a collection
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