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Ro-Iro Ⅲ Artwork

Tomo Sakurai, Japan

Mixed Media, Resin on Canvas

18 W x 20.9 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Material: Synthetic resins, sumi-ink, sand on canvas

Year Created:

2023

Subject:
Mediums:

Mixed Media, Resin on Canvas

Rarity:

One-of-a-kind Artwork

Size:

18 W x 20.9 H x 0.6 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Japan.

Need more information?

Need more information?

Born in Nagano, Japan, Tomo Sakurai graduated from Yokohama University of Art and Design and is a contemporary artist currently based in Tokyo. Starting from the methodologies of conceptual and minimal art, Sakurai’s practice develops works that incorporate contrast and multilayered structures through the observation of materials and physical phenomena. While reinterpreting traditional Japanese materials and techniques, the work explores their integration with contemporary modes of thought. Central to the practice is the concept of Awai—a relational space in which opposing forces coexist—and the emergence of Dynamic Equilibrium within that field. Major solo exhibitions include Schrödinger’s Curtain (2024, Tokyo International Gallery) and Y = (0.298912R + 0.586611G + 0.114478B) (2022, Amalgam Art Gallery). Sakurai has also participated in numerous exhibitions and international art fairs both in Japan and abroad, including FOCUS Art Fair 2022 in Paris (Carrousel du Louvre, France), Art Fair Tokyo 2021 (Tokyo International Forum), and PANORAMA (2024, Gallery Assistant at Atelier Natália Gromicho). Sakurai’s work has been exhibited at the Mitsuo Aida Museum (Tokyo), the Korean Art Museum (Seoul), and CICA Museum (South Korea), and is held in the collections of shrines and temples as well as corporate and public institutions in Japan and internationally. In recent years, the practice has further deepened through the production of original pigments and ongoing material research, focusing on the equilibrium that emerges within opposing relationships such as matter and spirit, and tradition and innovation.

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