VIEW IN MY ROOM
United Kingdom
Mixed Media, Resin on Wood
Size: 39.4 W x 55.1 H x 0.8 D in
Ships in a Box
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Artist featured in a collection
My art has a healing effect on me, it is my way to understand my nature and to accept my essence. I aim to change the viewer's way of perceiving reality through my artworks. I want him to accept himself as a part of nature, to see the beauty of imperfections and convert them into his strengths. Ancient scriptures divided energy into two types - solar and lunar. The one that should be accumulated by a woman is the energy of the Moon. The Moon cools and it is characterized by softness and calmness, without unnecessary fuss and disputes, tenderness, flexibility, sensitivity, and the ability to adapt - this is what prevails in a female. The energy of the Moon works oppositely to the Sun's one. You cannot tear these energies apart, both of them are important and can not exist without each other. So, the Sun and the Moon are a diptych. The work is currently available at M35 collective, Oslo.
Mixed Media:Resin on Wood
Original:One-of-a-kind Artwork
Size:39.4 W x 55.1 H x 0.8 D in
Frame:Black
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
For me, constantly moving between countries, not verbal, but the visual language has become an actual form of communication. My art is about our inner processes, often mirroring in the outer world. Being born in a multicultural environment, I consider myself a citizen of the world. I combine elements of different times and cultural communities to show the absence of the need for separation, labeling. After all, we form all this together, in co-existence. Nature with its processes has become both my source of inspiration and the most suitable material for my works. I am interested in its symbolic properties, intertextuality, transformative qualities, energy, and mood. I unite opposites, such as the tenderness of flowers and the hardness of epoxy resin, thereby revealing the ambivalence of being. I tear objects out of their natural cycle, idealizing them, transforming the finite into a semblance of the infinite. My work focuses on our notion and perception of time. I celebrate the beauty of imperfection because every flaw is a trace of the inexorable elusiveness of time, evidence of experiential involvement, and, thus, an organ of self-identification. That’s why the contingency of the process and the errors resulting from the experimental move are important to my practice.
Artist featured by Saatchi Art in a collection
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