672 Views
11
View In My Room
Mixed Media, Art Numerique on Paper
Size: 15 W x 15 H x 1 D in
Ships in a Crate
672 Views
11
15 pieces Pigment print encapsulated under a 1 inch plexiglass with Aluminium backing. Printed by the artist, on archival paper. Limited edition of 25 + 2 Art Proof Turquoise Default is a new series by Paul-Emile Rioux. It is in a preliminary stage, part of a practice which is unfolding in both the sense of experimentation as well as a planned unveiling of stages – transformation. This series comprises both video and still images. Regardless of format, each work is made up of three layers. Each layer is distinct and yet interrelated. This is perhaps most evident in the videos. The top layers, representing something like sky, move slowly; the mid layers, representing something like ocean, move rapidly; the bottom layers, representing something like a submerged world, transform, hidden from view below a fluid surface. Turquoise default plays on elemental notions. Water as a source of forgetting, erasing: it dissolves traces, it erodes, it serves as a dumping ground. Whatever is thrown in sinks below the surface, out of memory, our fears allayed by its pristine surface, which provides us with a sense of permanence and stability precisely because of its fluid properties – by its seeming ability to fill every hole. Of course water can only hide so much. Transformations take place in its depths, the ocean can absorb only so much waste before it all comes back, giving us a world irredeemably altered. .html
2017
Art Numerique on Paper
1
15 W x 15 H x 1 D in
15
Not Framed
Yes
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
Please visit our help section or contact us.
" I create digital virtual worlds to tear a window in what we feel to be true. Skyscraper forests cohabitate with suburban deserts and open horizons. The appearance of anything being real is deceptive: all of this is imaginary, viral, or mathematically altered. From the fascination/vertigo of looking, maybe we'll rethink our occupation of territories and natural resource usage. " Paul-Émile Rioux (2022) Digital artist Paul-Émile Rioux lives and works in Montreal, Canada. He first studies animation at Concordia University, has a career as professional photographer and, in parallel, starts exploring 3D software in the early 90s. Creating virtual worlds rapidly becomes his passionate main pursuit. From the onset, Rioux has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. He uses his expertise in photography to make virtual matrices on the computer. He seeds the code with new materials, causes accidents and tampers with mathematical logic to generate luminous 'grounds', which he then explores as if he were venturing into a city, a desert, or a field. 'These panoramas do not correspond to a vision, he says: they are space-time cuts from digital matter transformed by algorithms. I don't draw these places: I implement possibilities.' ............................................................. Paul-Émile Rioux étudie le cinéma à l’Université Concordia puis la communication à l’Université du Québec à Montréal. Le développement des nouveaux médias numériques combinés à l’expertise acquise par l’exercice de la photographie professionnelle donne aujourd’hui naissance à une œuvre puissante et visionnaire. L’artiste propose des panoramas grandioses offrant à voir des territoires urbains qui se déploient à l’infini. Ces images, d’apparence photographique, mais entièrement élaborées à partir d’une matrice numérique, évoquent une vision futuriste de notre monde. Elles ne sont pas sans rappeler les œuvres issues de la littérature et du cinéma de science-fiction, ce qui leur confère la puissance évocatrice de l’archétype. Les panoramas créés par Paul-Émile Rioux se distinguent par ailleurs nettement de l’imagerie de la science-fiction par le fait qu’elles sont entièrement constituées d’éléments abstraits.
We deliver world-class customer service to all of our art buyers.
Our 14-day satisfaction guarantee allows you to buy with confidence.
Explore an unparalleled artwork selection by artists from around the world.
We pay our artists more on every sale than other galleries.