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Mixed Media, Ink on Fabric
Size: 15.7 W x 15.7 H x 0.8 D in
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Series of tondos, acrylic and machine and manual embroidery on handkerchiefs dating back a century. I like working on unusual supports. Handkerchiefs all have a story. They followed their owner for years. The handkerchiefs knew their owner intimately. They were imprinted with him or her. They had relieved her nose, said goodbye on a station platform, protected her baby from the sun, corrected a line of makeup, been entrusted as a token of love, they mopped up her sweat, put an elegant touch on her lapel. jacket, caught a sneeze...absorbed tears! A perfect white to print new scores in full color directly siphoned from my daydreams. In this work I explored the depth of the human soul through the vibrant colors and palpable textures of embroidery. Each thread weaves an emotion, a memory, a thought that emanates from the mind. It is an intimate dialogue with the viewer, inviting contemplation and meditation. The energy captured in this textile circle is designed to awaken the interior of each space, bringing spiritual richness and silent contemplation.
2023
Ink on Fabric
One-of-a-kind Artwork
15.7 W x 15.7 H x 0.8 D in
Not Framed
Yes
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France.
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French artist, born 1962 in Paris, located in Brittany (France). For me everything is a plea to hijacking, turning round, reversal. Regardless at the medium, only the idea is important. The solution will be found through the most appropriate tone and means I do not refuse anything. Why should I? I hate settling. My path always leads me elsewhere anyway. The Eternity must be an actor in my art obviously. Otherwise my art would not be art . I hope that this path will attract the observer and invite him to enter an explanation. As my work goes on I am learning to adapt to my inner visions, let us say unreal rather than real, without resistance. If I was given life, so I was also given the means to understand how the top and the bottom articulate together. From this outlook is born the idea that art is a refreshing and dynamic force, containing vital ingredients. I hope to harmonise the diverse ingredients of art in the melting-pot of my painting, deeply hoping that it will be a modest sample of the "Melting-Pot of Life". To do this, I get and use posters and communication tools of our consumer society. From these materials, the starting point of my reflection is an advertising slogan or an image printed on the original, I carefully keep it and generate another campaign of awareness about a dramatic situation. This is perhaps an image of hope if we notice it.
Artist featured by Saatchi Art in a collection
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