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Red Baroness 1 Artwork

Faustus Crow

Mixed Media, New Media on Other

Size: 5700 W x 7200 H x 0.1 D in

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About The Artwork

“The Thirty-fifth Succubus archetype of the Fallen 'Anima' is mantra named, Marchosias. She is a Great and Mighty Marchioness, appearing at first as a vision of a rabid Werewolf bitch having Gryphon’s Wings on her back, wearing a torn flying jacket, holding a serpent’s tail of a vicious riding crop, and vomiting fire out of her Spandau machine gun maw. But after a time, at the command of the Surrealist Artist she puts on the shape of a Witch calling herself the Red Baroness, who pilots a flying time machine looking like a Fokker Dr.I and other craft of which the military keep very secret. But if her conjuring Artist so desires it of ‘remote viewing,’ she will empower his/her anti-war hippie far-sight to seer what is kept hidden away of black-project technologies. She will also tell how the Vrilerinnen infiltrated the military industrial complex of America via Operation Paperclip. She is a strong fighter, who is an air ace as well as being of the Order of test pilot Dominations. She governs over 30 Succubi Art Muse legions of Valkyrie pilots. She told her shaman Chief, who was Woden, that after 1,200 years she had hopes to return unto the seventh throne of a future Zodiac age abode. And her seal is to be meditated upon before conjuring her as an Art Muse into a lucid dream, etc.” Kenneth Grunt - Cults Of The Succubus (1975)

Details & Dimensions

Mixed Media:New Media on Other

Original:One-of-a-kind Artwork

Size:5700 W x 7200 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Mardun is principally a Surrealist Artist, whose author's name is Faustus Crow; but both art and writing alchemically merge of a sacred wedding. Mardun has an experiential interest in lucid dreaming, which of a neurological phenomenon has inspired artists and authors throughout the ages, from whose creations since the time of the painted cave wall of a Shaman have sprung insights into the nature of reality, which became ensuing mystical traditions, such as the occultism of Aleister Crowley to that of the Surrealist 'fantasy fiction' of H.P Lovecraft. Mardun does not see a division between the practices of art and magic; for both practices deal with symbolism, which is the subconscious language form of surrealist dreams and of your fantastic Imagination, which also inspires your culture.

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