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A Bad Day on the Slopes Beats a Good Day at Work Painting

Georgia Noble

United Kingdom

Painting, Oil on Canvas

Size: 43.3 W x 35.4 H x 1.6 D in

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$3,910USD

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385 Views
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Artist Recognition

link - Featured in Rising Stars

Featured in Rising Stars

link - Featured in the Catalog

Featured in the Catalog

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

While I don't start out with a final composition in mind, once I realised that the marks I'd been making and the palette I'd chosen had led me to guide the final few decisions of this painting towards a mountain-scape, I couldn't help but realise that it was an homage to my love of skiing. So, I opted to title it in a fun way which is a phrase that you always hear while queuing for the lifts in the morning or when people are leaving for the day and have maybe had a disastrous time, but still thoroughly enjoyed themselves.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:43.3 W x 35.4 H x 1.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

BIO: Originally from Blackpool, Georgia Noble is an artist that now lives and works in Manchester UK, after graduating with a First Class Honours Degree in Fine Art from The Manchester School of Art in 2015. Upon leaving university, Georgia went on to show her work at Soho’s Curwen Gallery in London as part of their annual ‘Northern Graduates’ exhibition and shortly afterwards was selected by Saatchi Art’s Chief Curator and VP for Art Advisory, Rebecca Wilson, to feature in their 2016 ‘Rising Stars’ initiative, where they shine a spotlight on a small handful of emerging artists each year. Since then, Georgia has gone on to continue to develop her practice and works from her studio as part of AWOL Studios in the historic Hope Mill in the Ancoats and sells her work all around the world. ARTIST STATEMENT: Through the predominant use of oil paint, my artistic practice transcends the conventions of traditional landscape painting to invite the viewer into a constructed fictional space that encourages them to interact with the composition in a way that is unique to them. I refer to my artworks regularly as ‘abstract landscapes’ - a phrase that seems highly contradictory - yet fully defines my painting process as, once resolved, each is most likely to be interpreted as a form of landscape but has been constructed through explorations and methods of abstraction. The sense of ‘somewhere other’ is represented through a bold and colourful palette, as well as varying techniques of careful blending, expressive mark making and deliberate scraping back into layers of paint underneath to create a narrative that allows for fluidity between the foreground and background. Furthermore, there is often an omission of clear structure or a definite horizon line in my work, given the abstract origins of each piece. However, as I progress further into a painting I use suggestive and expressive marks in a more thoughtful and conscious way to allude to aspects of the natural environment. These familiarities found within the paintings provide the viewer with a sense of stability and recognition with the world they are accustomed to, while the more abstract formations deliver a sense of escapism, resulting in my work being caught somewhere playfully between the two.

Artist Recognition

Featured in Rising Stars

Handpicked by Saatchi Art's Chief Curator for our most prestigious feature, Rising Stars

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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