"ABYSS" Painting

Adam Zaremba (British-Jewish-Polish),born 12/11/1976). is a multi talented artist working in various mediums to achieve a contemporary expression of his creative vision. Adam began to paint as a early childhood, he studied painting under the tutelage of renowned painter and conservator of monuments stepfather, mother of Adam Wladyslaw Remian, who worked with Maria Zaborowska. Wladyslaw Remian was a painter of realism and also a friend of Otto Freundlich, who was also a friend of Pabblo Picasso Adam has produced abstract as well as own imagination. His art follows the examples of Picasso and Otto Freundlich in undermining the concept of the artist's obligation to maintain a single cohesive style.Nearly all of Adam's work demonstrates both illusionistic space that seems natural and the physical activity and material of painting—as mutual interferences. For Adam, reality is the combination of new attempts to understand—to represent; in his case, to paint—the world surrounding us. Adam's opinions and perspectives on his own art, and that of the larger art market and various artistic movements, are compiled in a chronological record of "Writings" and Interviews. The following quotes are excerpts from the compilation:"My art has an impact on its recipient and stimulates the imagination";"My art is to move the emotions and the impact on its recipient".Adam's abstract work and its illusion of space developed out of his planning process: an accumulation of spontaneous, reactive gestures of adding, moving, and subtracting paint. Despite unnatural palettes, spaceless sheets of color, and obvious trails of the artist's tools, the abstract pictures often act like windows through which we see the landscape outside. As in his representational paintings, there is an equalization of illusion and paint. In those paintings, he reduces worldly images to mere incidents of Art. Similarly, in his abstract pictures, Adam exalts spontaneous, intuitive mark-making to a level of spatial logic and believability. Adam uses an infinite number of colors, which selects the plan. Each color was then plan ordered to create the resultant composition and form of the painting.His technique is based on superimposing layers of oil paint using only brush.Adam would often blur his subjects and embrace chance effects in his own painting process in order to show the impossibility of any artist conveying the full truth of a subject in its original condition.